
Curatopia
Description
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Reviews / Votes
'This provocative and timely volume, which assembles key perspectives from an impressive ensemble of international curators, scholars and critics, provides a series of critical yet rousing reflections on the future of curatorial practice. Aiming to advance the field beyond the terms of existing debates, the book maps out new futures for museums and collections, acknowledging that these profoundly cross-cultural institutions can only be made relevant by engaging them collaboratively and dialogically.'Rodney Harrison, Professor of Heritage Studies, University College London
'This ambitious and trans-disciplinary volume goes beyond familiar postcolonial critiques, which foreground imperial impositions, to convincingly argue for the centrality of global Indigenous people to past and future museological endeavors. Focusing on curation as an eminently performative, intercultural, and social process, the contributors draw on anthropology's dialogic foundations and ethnographic methods to demonstrate how current efforts to decolonize the ethnological museum can provide a model for the invigoration of ethical curatorial practice in other kinds of exhibitionary contexts as well.'
Aaron Glass, Associate Professor of Anthropology and Material Culture, Bard Graduate Center
'Curatopia: Museums and the Future of Curatorship is a welcome compendium that values and explores the diverse, complex and increasingly experimental roles that curators perform in the 21st century. It provides a timely discourse in an era when the role of curators is threatened by economic rationalism and reduced by the demand for content producers in those museums that prioritize entertainment over conversations about divergent histories, difficult issues and multiple world-views. Focused on curatorship in anthropological and ethnographic museums, Curatopia is an inspiring contribution to the field of museum practice because it articulates and grapples with emerging, critical and ethical approaches to contemporary museum curatorship.'
Joanna barrkman, Senior Curator UCLA, The Journal of Pacific History, 2019
'The ultimate achievement of Curatopia is to go beyond mere critics and to seriously engage in potential futures and concrete strategies, based on real curatorial experiences in museums in Europa, North America and the Pacific. In light of its programmatic title - and as an alternative to burning museums so to say - Curatopia opens up a space where "museums have a role to play"'
Boasblogs
'Curatopia is largely about navigating decolonization together as the colonizer and the colonized, the 'curatopia' being the journey that must be taken by museum professionals, museum audiences and source communities alike. Throughout the book, this argument is proven to be multifaceted, achieved through eighteen thoroughly distinguished chapters and two afterwords that display an admirable devotion to progress in the museums sector.'
Journal of Curatorial Studies -- .
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Persons
Conal McCarthy is Professor and Director of the Museum and Heritage Studies Programme at Victoria University of Wellington, Aotearoa New Zealand -- .
Content
Part I: Europe
1 The museum as method (revisited) - Nicholas Thomas
2 What not to collect? Post-connoisseurial dystopia and the profusion of things - Sharon Macdonald and Jennie Morgan
3 Concerning curatorial practice in ethnological museums: an epistemology of postcolonial debate - Larissa Foerster and Friedrich von Bose
4 Walking the fine line: From Samoa with Love? at the Museum Fuenf Kontinente, Munich - Hilke Thode-Arora
5 Curating across the colonial divides - Jette Sandahl
6 Thinking and working through difference: remaking the ethnographic museum in the global contemporary - Viv Golding and Wayne Modest
Part II: North America
7 The times of the curator - James Clifford
8 Baroque modernity, critique and Indigenous epistemologies in museum representations of the Andes and Amazonia - Anthony Alan Shelton
9 Swings and roundabouts: pluralism and the politics of change in Canada's national museums - Ruth B. Phillips
10 Community engagement, Indigenous heritage and the complex figure of the curator: foe, facilitator, friend or forsaken? - Bryony Onciul
11 Joining the club: a Tongan 'akau in New England - Ivan Gaskell
12 c'?sna??m, the City before the City: exhibiting pre-Indigenous belonging in Vancouver - Paul Tapsell
Part III: Pacific
13 The figure of the kaitiaki: learning from Maori curatorship past and present - Conal McCarthy, Arapata Hakiwai and Philipp Schorch
14 Curating the uncommons: taking care of difference in museums - Billie Lythberg, Wayne Ngata and Amiria Salmond
15 Collecting, curating and exhibiting cross-cultural material histories in a post-settler society - Bronwyn Labrum
16 Curating relations between 'us' and 'them': the changing role of migration museums in Australia -- Andrea Witcomb
17 Agency and authority: the politics of co-collecting - Sean Mallon
18 He alo a he alo / kanohi ki te kanohi / face to face: curatorial bodies, encounters and relations - Noelle M.K.Y. Kahanu, Moana Nepia and Philipp Schorch
Afterwords
19 Curating time - Ian Wedde
20 Virtual museums and new directions? - Vilsoni Hereniko
Index -- .
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File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.