Music and Riddle Culture in the Renaissance
Published on 3. June 2015
978-1-316-30993-3 (ISBN)
Description
Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450-1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.
More details
Language
English
Place of publication
Cambridge
United Kingdom
Publishing group
Cambridge University Press
Target group
Professional and scholarly
Illustrations
36 Printed music items; 58 Halftones, unspecified; 3 Halftones, color
File size
18344,20 MB
ISBN-13
978-1-316-30993-3 (9781316309933)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Katelijne Schiltz
Music and Riddle Culture in the Renaissance
Book
04/2015
Cambridge University Press
€208.40
Shipment within 15-20 days
Person
Katelijne Schiltz is a professor at the University of Regensburg. The author of a book on the motets of Adrian Willaert (2003), her articles have appeared in a number of journals, including Early Music, Early Music History, Rivista italiana di musicologia, Archiv fuer Musikwissenschaft and the Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis. She is general editor (together with David J. Burn) of the Journal of the Alamire Foundation and a member of the editorial board of Analysis in Context. A Laureate of the Royal Flemish Academy of Belgium for Science and the Arts, she has won prizes from the Society for Music Theory and from the Lyrica Society for Word-Music Relations.
Content
Introduction; 1. The culture of the enigmatic from classical antiquity to the Renaissance; 2. Devising musical riddles in the Renaissance; 3. The reception of the enigmatic in music theory; 4. Riddles visualised; Conclusion; Appendix 1. A brief introduction to mensural notation; Appendix 2. Catalogue of enigmatic canonic inscriptions Bonnie J. Blackburn.
