
Meaningful Relations
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Content
- Cover
- Sense-Making and Representations
- Body-Language Continuity via Non-linguistic Meanings
- Abstract
- 1. Introduction
- 2. Tacit Embodied Meanings in Pragmatism
- 3. Values and Emotions
- 4. Habits as Beliefs
- 5. Thinking with Tacit Meanings and Beliefs
- 6. Tacit Meanings in Art
- 7. Conventional Tacit Meanings
- 8. Language and the World
- References
- "Institutionalized" Imaginary: Language as a Social Construct
- Abstract
- Time, Space, Sign: for an Imaginary of the Word
- Ability to Detach and Subjective Intentions
- Zones of Reality and Accumulations of Meaning: the Social Function of the Symbol
- Symbolism and Imaginary: for a Sociology of the Visible
- Conclusions
- References
- The Role of Representation in Understanding Cognition
- Abstract
- 1. Mental Representation and its Critics
- 1.1 Mental Representation and Classical Cognitivism
- 1.2 Mental Representation under Attack
- 1.2.1 The Form of Mental Representation
- 1.2.2 The Content of Mental Representation
- 1.3 Summary
- 2. A Full Picture of Representation
- 2.1 A Synthetic Picture of Representation
- 2.2 A Diachronic Picture of Representation
- 2.2.1 The Emergence of Representation
- 2.2.2 The Hierarchy of Representations: from Animals to Humans
- 3. Conclusion: Representation and Cognition
- Acknowledgment
- References
- Embodied Meaning as a Challenge to Aesthetics: An Appraisal of Mark Johnson's "Aesthetics of Meaning and Understanding"
- Abstract
- Mind-body: between Idealism and Epicureanism
- Mark Johnson's Approach
- Conclusion
- References
- "Ich liebe dich!" - Aschenbachs Bekenntnis und die Manifestheit der Homoerotik in Thomas Manns Novelle Der Tod in Venedig
- Abstract
- Eindeutig vieldeutig
- Tod, Zucht, Berauschtheit, Homoerotik, Abgrund: Welches Thema für Der Tod in Venedig?
- Soll man beim Titel anfangen? Spurensuche ante textum
- Manifest und skalierbar: Aschenbach zwischen Zucht und feurigen Impulsen
- Was ist mit Abweichung von Erwartungen gemeint?
- "Ich liebe dich!" Aschenbach bricht die Regel und berauscht sich daran
- Es geht um die "Wollust des Untergangs"
- Schlussbetrachtungen
- Bibliographie
- Primärliteratur
- Sekundärliteratur
- Sense-Making and Experience
- The Ecological Dynamics of Musical Creativity and Skill Acquisition
- 1. Introduction
- 2. Connecting Domains
- 3. Towards a Systemic View: Ecological Dynamics
- 4. Hunting for Musical Creativity High and Low
- 4.1 Teleomusicality in Infants
- 4.2 Teleomusical Dynamics
- 4.3 Lessons from Teleomusical Development
- 5 Musicking in Expert Improvisers
- 5.1 Jazz Improvisation
- 5.2 The Roots of Advanced Creativity
- 5.3 Dynamical Creativity
- 6. Interpersonal Co-Creation
- 6.1 Creativity as a Participatory Process
- 6.2 Participatory Music Education and Artistic Development
- 7. Conclusion
- Acknowledgments
- References
- Continuity between Subjective and Objective Feeling as a Stimulus to Creativity and to Sociality
- Abstract
- Introduction
- The Rediscovery of Subjectivity
- Subjectivity and Sociology
- Sensus Communis: a Means of "Broad Thinking"
- Relation between Author and User
- Import of Presentational Symbols
- Conclusions
- References
- Experience of Absence as the Aesthetic Ground of Sense-Making in James
- Introduction
- James's Theory of Mind: A General Review
- Stream of Consciousness
- Sense-Giving Through Fringes
- Feeling of Absence
- References
- The Art of Communal Life: from Tolstoy to Dewey
- References
- Sense-Making and Interactions
- Modelling the Minimal Skills Necessary for Cognitive Development: the iCub Project and the Quest for Cognition
- Abstract
- A Biased View on Human Cognition
- The Phylogeny of iCub
- The Role of iCub in the Quest for Cognition
- The Open Questions: Understanding Humans and Making Robots More Humane
- (i) Perception
- (ii) Motion
- (iii) Learning and Adaptation
- Conclusions
- Acknowledgments
- References
- Enacting Virtual Reality
- Extension and Incorporation
- Ecomedia
- (Post-)phenomenology of Optical Media
- Cognitive Science of Optical Media
- Virtuality as Opportunity: The Zero Mode
- Mediated Cognitive Becoming
- Conclusions
- References
- On the Embodied and Sense-Making Nature of the Artful Mind
- Introduction
- Criticism of Cognitivism and the Re-Turn of the Body
- The Embodied, Enacted, Aesthetic and Artful Mind
- On the Embodied Nature of the Art Mind
- Donald's Seven Governing Cognitive Principles of the Artful Mind
- A More Radically Embodied Reformulation of the Cognitive Principles of the Artful Mind
- Concluding Remarks
- References
- Continuity between the Arts and Society as a Way to Understand Social Phenomena
- Introduction
- I. Continuity and Duality
- II. The Fracture of Continuity in Modernity
- III. Acceptance of the Lack of Continuity in Postmodernity
- IV. The Recapturing of Continuity through Fragments and Everyday Life
- V. Closing Remarks
- References
- Extending Through Thinging. Thinking with Things and the Embodied Mind
- Abstract
- 1. Introduction
- 2. Towards a Post-cognitivist Mind
- 3. Tools Change the Possibilities of Actions
- 4. Remark on Enactive Sense-Making: Can it Extend?
- 5. Conclusion
- Acknowledgment
- References
- Biographies
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