
Kick the Latch
Description
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With its ruthless concision and artful mysteries, Kathryn Scanlan's Kick the Latch is lightning in a bottle.
Based on transcribed interviews with Sonia, a horse trainer, the novel vividly captures the arc of one woman's life at the racetrack - the flat land and ramshackle backstretch; the bad feelings and friction; the winner's circle and the racetrack bar; the fancy suits and fancy boots; and the 'particular language' of 'grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody' - with economy and integrity.
As Scanlan puts it, 'I wanted to preserve - amplify, exaggerate - Sonia's idiosyncratic speech, her bluntness, her flair as a storyteller. I arrived at what you could call a composite portrait of a self.'
Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.
'A revelation in its unadorned, unromantic, plain power.' Andrew McMillan
'It's a landscape full of exhausting labor and habitual violence, but also ecstatic devotion and joy . . . Scanlan writes about ordinary life in extraordinary ways.' Leslie Jamison, New Yorker
'I was absolutely blown away . . . A finely wrought work of art that takes one person's life and expands it to create something wondrous and universal. The pages I read seemed to capture all that is vital to human existence.' Tash Aw
'Kick the Latch comes at you fast, and is a hell of a ride. I loved it.' Jon McGregor
'Pure exhilaration. No one works with fineness, with exactitude, with the beating heart of fiction and of life, quite like Kathryn Scanlan.' Amina Cain
'Superb . . . Niche and precise in the revelation of an ordinary life (Johnson's Train Dreams, or Seethaler's A Whole Life) with the distillation of Lydia Davis.' Sinéad Gleeson
'Revelatory . . . every word is essential.' Amy Hempel
'A wonderfully empathic window opened onto a fascinating life lived on the margins.' Eric Banks
'Performs the trick of turning a life . . . into art, and does so with particular charm, will, and intensity.' Lucie Elven
More details
Other editions
Additional editions

Person
Content
- Intro
- Praise
- Title Page
- Dedication
- Contents
- 1
- SOLID PLASTER
- THE OLD MAN
- IT WASN'T HIS FAULT
- MILK BONES
- BICYCLE JENNY
- 2
- THE JOCKEY
- THERE WAS NOTHING ELSE
- BANG!
- I HAD MY SPILLS
- MY PAINT HORSE
- KIND OF FUNNY, A REAL CLOWN, AN ORNERY SON OF A BUCK
- 3
- A LITTLE WIND-UP CLOCK
- SHORT-IRON
- DIRT TRACK, FLAT LAND, RAMSHACKLE BACKSTRETCH
- I WOULDN'T BARELY BREAK
- NOTHING NICE
- KEY TO THE QUARTER POLE
- GALLON OF BLOOD
- NUTS AND BOLTS
- BIG OLD HOLE
- I SEEN HIM EVERY DAY
- 4
- PICKLED BOILED EGGS
- THANKSGIVING
- ENOUGH
- CALL YOUR OWNERS, CALL HOME
- HAMBURGERS
- OUR PERSONAL ATTITUDES
- 5
- I OUTGREW THE POSITION
- THEY GET CHILLY
- THIS JOCK PACKS, THAT JOCK PACKS
- GRANDSTANDING
- BLACK SHOE POLISH
- 6
- EVERYTHING MYSELF
- WASHED, BATHED, GOOD CARE
- YOU CHECK IT, YOU SHAKE IT
- A THOUSAND POUNDS OF PRESSURE
- WE'RE HUNGRY!
- STRAIGHT OFF THE GOAT
- 7
- I KNOW WHAT I KNOW
- THEY GET THEIR HEADS JERKED OFF
- I THINK YOU'LL BE SAD
- BOBBLE, BOBBLE
- YOU CAN'T BLAME A MAN
- THIS HORSE, THIS RACE
- 8
- RACETRACKERS
- FANCY SUITS, FANCY BOOTS
- PAUPER'S HILL
- THE OLD LADY
- JAKE THE PRINCE
- C'MON, CHARLIE!
- THE BIG DRINK
- WHERE'S THORBY?
- MIRACLE PERSON
- HE WAS LIVING HIGH
- I DIDN'T WANT NO DRAMA
- 9
- THE RODEO STUNT
- HUNTERS AND JUMPERS
- 10
- I WAS GIVEN A CHOICE
- THEY'D RATHER HAVE THE PISS
- STOP MY WORLD, LADY!
- STUPID CAMERAS, BIG LIGHTS
- GRAB THAT THING
- MILLIONS
- IT WAS HARD LIVING
- I TRIED TO BE A NORMAL PERSON
- THE HORSE TAUGHT ME ABOUT LIFE
- 11
- MISTER BAKER
- THIS SUCKER
- WITH THE MEN
- LA VEDETTE
- HER BLACK MOUSTACHE
- BLONDE, CUTE, BIG DIMPLES
- 12
- ONAKONA
- BAD WEATHER OR NOT
- IT AIN'T LIKE A CAT
- PERENNIALS
- REMEMBER THIS?
- A PARTICULAR LANGUAGE
- AFTERWORD
- Daunt Books
- About the Author
- Copyright
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