
Self Impression
Description
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Content
- Part I: Modern Ironisations of Auto/Biography and the Emergence of Autobiografiction: Victorian and fin-de-siècle Precursors
- 1: Im/personality: The Imaginary Portraits of Walter Pater
- 2: Aesthetic Auto/biography: Ruskin and Proust
- 3: Pseudonymity, Third-personality, and Anonymity as disturbances in fin-de-siècle auto/biography
- 4: Autobiografiction: Stephen Reynolds and A. C. Benson
- 5: Auto/biografiction: Counterfeit Lives: A Taxonomy of Displacements of Fiction towards Life-Writing
- 6: Literary Impressionism and Impressionist Autobiographies: Henry James, Joseph Conrad, and Ford Madox Ford
- Part II: Modernist Auto/biografiction
- 7: Heteronymity I: Imaginary Authorship and Imaginary Autobiography: Pessoa, Joyce, Svevo
- 8: Heteronymity II: Taxonomies of Fictional Creativity: Joyce (continued) and Stein
- 9: Auto/biographese and Auto/biografiction in Verse: Ezra Pound and Hugh Selwyn Mauberley
- 10: Satirical Auto/biografiction: Richard Aldington and Wyndham Lewis
- 11: Woolf, Bloomsbury, the 'New Biography', and the New Auto/biografiction
- 12: After-Lives: Postmodern Experiments in Meta-Auto/biografiction: Sartre, Nabokov, Lessing, Byatt
- Conclusion
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