
Audio Production Worktext
Description
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Worktext format features an easy-to-read style, self-study questions, hands-on projects, an appendix on analog audio equipment for background context, and a Glossary.
Companion website provides resources for both instructors (PowerPoints, a test bank, and sample syllabus) and students (interactive demonstrations of key audio techniques and concepts, quizzes for each chapter, and links to further reading).
Reviews / Votes
The Audio Production Worktext is a solid introductory text for beginning students in the field of audio and electronic media production. The book provides up to date information on standard production practices in a variety of settings, along with basic foundation knowledge of audio systems and equipment.Matthew Hanson, Lecturer of Electronic Media and Film Studies, Eastern Michigan University
It is unusual to find a book that covers the diverse field of audio production. The Audio Production Worktext delivers easy to read, up-to-date content that covers a broad range of topics, ranging from radio production, to location sound recording for television and digital cinema to multiple media distribution systems and beyond. The book provides a solid theoretical base with practical instruction and is perfect for today's students who should understand the entire audio production process regardless of the medium.
Brenda K. Jaskulske, Department of Media Arts, University of North Texas The Audio Production Worktext is a solid introductory text for beginning students in the field of audio and electronic media production. The book provides up to date information on standard production practices in a variety of settings, along with basic foundation knowledge of audio systems and equipment.
Matthew Hanson, Lecturer of Electronic Media and Film Studies, Eastern Michigan University
It is unusual to find a book that covers the diverse field of audio production. The Audio Production Worktext delivers easy to read, up-to-date content that covers a broad range of topics, ranging from radio production, to location sound recording for television and digital cinema to multiple media distribution systems and beyond. The book provides a solid theoretical base with practical instruction and is perfect for today's students who should understand the entire audio production process regardless of the medium.
Brenda K. Jaskulske, Department of Media Arts, University of North Texas
More details
Other editions
Additional editions


Persons
Craig A. Stark has worked and taught in broadcasting for almost 20 years. He has worked in commercial radio and video production as an announcer, news/sports reporter, and broadcast engineer. He is active with the BEA and several other professional and academic organizations.
Content
Chapter 1: Production Planning
Chapter 2: The Studio Environment
Chapter 3: Digital Audio Production
Chapter 4: Microphones
Chapter 5 : The Audio Console
Chapter 6: Podcasting and Digital Audio Recording
Chapter 7: Monitor Speakers and Studio Accessories
Chapter 8: Signal Processing and Audio Processors
Chapter 9: Production Situations
Chapter 10 Location Sound Recording
Chapter 11 Sound Production for the Visual Media
Glossary
Appendix
System requirements
File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
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