
Audio Production Worktext
Description
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This hands-on, student-friendly text demonstrates how to navigate modern radio production studios and utilize the latest equipment and software. Key chapters address production planning, the use of microphones, audio consoles, and sound production for visual media. The reader is shown the reality of audio production both within the studio and on location. In this new edition, chapters have been reorganized to address the growing prominence of podcasting and digital production. Thorough updates have been made to every chapter, including self-study questions and projects, and the authors continue to draw in diverse and international practitioner perspectives to help translate concepts to real-world practice.
This book remains an essential text for audio and media production students seeking a thorough introduction to the field.
The accompanying website for students and instructors has also been updated and includes sample syllabi, lesson plans, further study questions, test questions, and web resources, as well as images by chapter as included in the Worktext.
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Persons
Craig A. Stark, PhD, is an Associate Professor in the Department of Communications at Susquehanna University, USA, and serves as the Faculty Advisor for WQSU-FM. He teaches courses in media law, audio production, media theory, intercultural communication, and team communication. He has worked and taught in collegiate broadcasting for over 30 years, and has worked in commercial production as an announcer, editor, reporter, and engineer. He has been active with the Broadcast Education Association, the Pennsylvania Association of Broadcasters, and the Texas Association of Broadcast Educators. He has published several journal articles and book chapters related to emerging media and HD Radio technology.
Lowery A. Woodall III, PhD, is an Associate Professor and Department Chair of Communication & Theatre at Millersville University of Pennsylvania, USA, where he teaches courses in radio and television production, mass communication theory, and public speaking. Dr. Woodall received his BFA from Sam Houston State University, Texas, USA in 2004, and has a Masters and PhD from the University of Southern Mississippi, USA (2007, 2010). He was the faculty advisor to the campus radio station, WIXQ 91.7-FM for almost 10 years. Dr. Woodall published Grappling With Representation: Exploring issues of Diversity and Inclusion in World Wrestling Entertainment through Rowman & Littlefield in 2022. He has also served in several positions including President of the Pro Wrestling Studies Association. Dr. Woodall was a co-editor on Joss Whedon and Race: Critical Essays, which examined the depiction of race and ethnicity in the works of writer/director/producer, Joss Whedon. The book won the Mr. Pointy Award for best long-form academic work in the field of Whedon Studies. Dr. Woodall has also published articles in the areas of superhero comic book representation and popular music.
Content
Acknowledgements
Chapter 1: Production Planning
Chapter 2: The Studio Environment
Chapter 3: Digital Audio Production
Chapter 4: Podcasting and Digital Audio Recording
Chapter 5: The Audio Console
Chapter 6: Microphones
Chapter 7: Monitor Speakers and Studio Accessories
Chapter 8: Signal Processing and Audio Processors
Chapter 9: Production Situations
Chapter 10: Location Sound Recording
Chapter 11: Sound Production for the Visual Media
Chapter 12: Internet Radio and Other Distribution Platforms
Glossary
Appendix
Index
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