
Systemic Semiotics
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Divided into two parts, this book argues in the first section that a deductive semiotic theory generates communication situations of increasing complexity, from contiguous communication to indirect, referential forms based on indexical, iconic, and symbolic signs. Within this system, Sadowski explains how key concepts of the semiotic model such as information, parainformation and metainformation can account for degrees of cognitive complexity of communication processes, including the perception and interpretation of signs on literal and figurative levels. After this clear, step-by-step exposition of the theory of interacting systems, Systemic Semiotics then explores various applications of this theory, providing new insights into problems subsumed under communication studies, cultural theory, literary and film studies, and psychology.
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Content
Acknowledgments
Introduction
Part I: Theory
1. Interaction as Communication
2. Types of Communication
3. Information and Levels of Meaning
4. Between Indexicality and Iconicity
5. The (Mostly) Symbolic Signs of Verbal Language
Part II: Applications
6. Oscar Wilde and Dynamism of Character
7. The Esthetics of Light in Early Cinema
8. Photography and the Limitations of Indexicality in Michelangelo Antonioni's Blowup (1966)
9. The Iconicity of the Pictorial Frame
10. The Iconic Magic of Cinema in Woody Allen's The Purple Rose of Cairo (1985)
Postscript
Notes
Bibliography
Index
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