Kant and His Influence
1st Edition
Published on 11. January 2006
392 pages
978-1-84714-327-3 (ISBN)
Description
This book illustrates the extent to which Kant's work has permeated wide areas of learing, across many disciplines, despite a general ignorance, especially in England, of the details of his highly technical philosophy. Consisting of nine major contributions to the Leeds Kant Conference in April 1990, Kant and his Influence shows how Kant's thought has had a marked effect on philosophers, both Continental and Analytic, social and art historians, theologians and Church leaders.
More details
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
ISBN-13
978-1-84714-327-3 (9781847143273)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
George MacDonald Ross
Kant and His Influence
Book
01/2006
Continuum International Publishing Group Ltd.
€72.40
Shipment within 15-20 days
Content
This edition first published in hardback by Thoemmes Press, 1990 ISBN 1 85506 072 8
Roger M. White: '"Ought" implies "Can": Kant and Luther, a Contrast'.
Catherine Wilson: 'Confused Perceptions, Darkened Concepts: Some Features of Kant's Leibniz-critique'.
Guy Stock: 'Thought and Sensibility in Leibniz, Kant and Bradley'.
Peter Lewis: '"Original Nonsense": Art and Genius in Kant's Aesthetic'.
Eckart Forster: 'Fichte, Beck and Schelling in Kant's Opus postumum'.
John Llewelyn: 'Imagination as a Connecting Middle in Schelling's Reconstruction of Kant'.
Giuseppe Micheli: 'The Early Reception of Kant's Thought in England 1785-1805'.
Manfred Kuehn: 'Hamilton's Reading of Kant: A Chapter in the Early Scottish Reception of Kant's Thought'.
Donald MacKinnon: 'Aspects of Kant's Influence on British Theology'.
Roger M. White: '"Ought" implies "Can": Kant and Luther, a Contrast'.
Catherine Wilson: 'Confused Perceptions, Darkened Concepts: Some Features of Kant's Leibniz-critique'.
Guy Stock: 'Thought and Sensibility in Leibniz, Kant and Bradley'.
Peter Lewis: '"Original Nonsense": Art and Genius in Kant's Aesthetic'.
Eckart Forster: 'Fichte, Beck and Schelling in Kant's Opus postumum'.
John Llewelyn: 'Imagination as a Connecting Middle in Schelling's Reconstruction of Kant'.
Giuseppe Micheli: 'The Early Reception of Kant's Thought in England 1785-1805'.
Manfred Kuehn: 'Hamilton's Reading of Kant: A Chapter in the Early Scottish Reception of Kant's Thought'.
Donald MacKinnon: 'Aspects of Kant's Influence on British Theology'.
