
Anna Halprin
Description
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Halprin's friends and acquaintances include a number of artists who charted the course of postmodern performance. Among her students were Trisha Brown, Simone Forti, Yvonne Rainer, Meredith Monk, and Robert Morris. Ross brings to life the vital sense of experimentation during this period. She also illuminates the work of Anna Halprin's husband, the important landscape architect Lawrence Halprin, in the context of his wife's environmental dance work. Using Halprin's dance practices and works as her focus, Ross explores the effects of danced stories on the bodies who perform them. The result is an innovative consideration of how experience becomes performance as well as a masterful account of an extraordinary life.
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Content
Introduction
1. Why She Danced (1920-1938)
2. The Secret Garden of American Dance (1938-1942)
3. The Bauhaus and the Settlement House (1941-1945)
4. Western Spaces (1945-1955)
5. Instantaneous Experience and Beat Culture (1955-1960)
6. Urban Rituals (1961-1966)
7. Spectatorship and Embodiment (1967-1968)
8. Ceremony of Memory (1968-1971)
9. Illness as Performance (1972-1990)
10. Flesh Made Metaphor: Dances of Aging (1991-2005)
Chronology of Works, Videos, and Films by Anna Halprin
Notes
Bibliography
Index
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