Fashioning Identities in Renaissance Art
1st Edition
Published on 4. June 2019
256 pages
978-1-351-77769-8 (ISBN)
Description
Originally published in 2000. Fashioning Identities analyses some of the different ways in which identities were fashioned in and with art during the Renaissance, taken as meaning the period c.1300-1600. The notion of such a search for new identities, expressed in a variety of new themes, styles and genres, has been all-pervasive in the historical and critical literature dealing with the period, starting with Burckhardt, and it has been given a new impetus by contemporary scholarship using a variety of methodological approaches. The identities involved are those of patrons, for whom artistic patronage was a means of consolidating power, projecting ideologies, acquiring social prestige or building a suitable public persona; and artists, who developed a distinctive manner to fashion their artistic identity, or drew attention to aspects of their artistic personality either in self portraiture, or the style and placing of their signature, or by exploiting a variety of literary forms.
Reviews / Votes
'...the variety of approaches and the range of insight offered here have produced a comprehensive round-up of current research.' The Art Newspaper, No. 105 '...this collection of essays is impressively cohesive...Taken together, these essays are evidence of several exciting new directions in the study of Renaissance art.' Renaissance Journal 'these essays...are evidence of several exciting new directions in the study of Renaissance art.' Renaissance Journal 'Ashgate is to be complimented for once again choosing to publish a stimulating collection of Renaissance historical studies and for the high standards of quality applied in its production.' CAA.ReviewsMore details
Series
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Product notice
Reflowable
ISBN-13
978-1-351-77769-8 (9781351777698)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Mary Rogers
Fashioning Identities in Renaissance Art
Book
10/2020
Routledge
€54.30
Shipment within 10-20 days
Mary Rogers
Fashioning Identities in Renaissance Art
Book
04/2019
1st Edition
Routledge
€171.00
Shipment within 10-20 days
Person
Mary Rogers, University of Bristol, UK and co-editor with Frances Ames-Lewis of Concepts of Beauty in Renaissance Art. Introduction by Joanna Woods-Marsden, University of California, Los Angeles
Content
1. Introduction: Collective identity/individual identity, Joanna Woods-Marsden. 2. A Knight in the Arena: Enrico Scrovegni and his 'true image', Laura Jacobus. 3. Reconstructing Benozzo Gozzoli's Artistic Identity, Francis Ames-Lewis. 4. Patronage and Identity in Renaissance Florence: The case of S. Maria a Lecceto, Jill Burke. 5. Art and Life in Renaissance Italy: A blurring of identities, Rupert Shepherd. 6. A Preface to Signatures (with some cases in Venice), Creighton Gilbert. 7. Fashioning Identities for the Renaissance Courtesan, Mary Rogers. 8. Beauty and Identity in Parmigianino's Portraits, Mary Vaccaro. 9. Problems of Identity in an Age of Change: The Viewer of Art in Renaissance England, Tatiana C. String. 10. Moretto and the Congregation of S. Giorgio in Alga 1540-1550: Fashioning a visual identity of a religious Congregation, Gabriele Neher. 11. 'Ut vita scultura': Cellini's Perseus and the self-fashioning of artistic identity, Victoria C. Gardner Coates. 12. Artists into Heroes: The commemoration of artists in the art of Giorgio Vasari, Joan Stack. 13. 'Cittadin nostro Fiorentino': Michelangelo and Fiorentinismo in mid-sixteenth-century Florence, Frances E. Thomas. 14. The Identity of the Prince: Cosimo de' Medici, Giorgio Vasari and the Ragionamenti, Paola Tinagli. 15. 'Frail fresh, as in a glass': The portrait as an immortal presence in early modern England and Wales, Tarnya Cooper.
