
Shakespeare's Queer Analytics
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Don Rodrigues critiques and revises traditional computational attribution studies by integrating the insights of queer theory to a study of Love's Martyr. A book deeply engaged in current debates in computational literary studies, it is particularly attuned to questions of non-normativity, deviation and departures from style when assessing stylistic patterns. Gathering insights from decades of computational and traditional analyses, it presents, most radically, data that supports the once-outlandish theory that Shakespeare may have had a significant hand in editing works signed by Chester. At the same time, this book insists on the fundamentally collaborative nature of production in Love's Martyr.
Developing a compelling account of how collaborative textual production could work among early modern writers, Shakespeare's Queer Analytics is a much-needed methodological intervention in computational attribution studies. It articulates what Rodrigues describes as 'queer analytics': an approach to literary analysis that joins the non-normative close reading of queer theory to the distant attention of computational literary studies - highlighting patterns that traditional readings often overlook or ignore.
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Content
Series Editors' Preface
Preface
Acknowledgements
Note on Text
Introduction: Love's Martyr and the Case for Queer Analytics
Queering Computation
1. Queerness at Scale: The Radical Singularities of Love's Martyr
2. Competitive Intimacies in the Poetical Essays
Computing Queerness
3. "Neither two nor one were called": Queer Logic and "The Phoenix and Turtle"
Appendixes
with Jonathan Hicks
1. Technical Appendix
2. Love's Martyr's Poetical Essays
3. Love's Martyr's Dialogues and Cantos
Bibliography
Notes
Index
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