
Adorno's Poetics of Form
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Person
Content
Acknowledgments
Introduction
Form
Adorno
Poetics
Philology
Constellation
1. Form and Content
Adorno and Heidegger: The Form of the Thing
'Parataxis'
Parataxis and Linguistic Form
Form as Sedimented Content
Parataxis in Adorno's reading of 'Der Einzige'
Consequences for Form and Content
2. Form and Expression
The Mediation of Form and Expression
Literary and Musical Expressionism
Expressionism and Surrealism
Kafka
Mimesis
Consequences for the Theory of Form
3. Form and Genre
The Fraying of Borders
The Genesis of the Forms
Universal and Particular
Nominalism and its Discontents
Bourgeois Art and the Culture Industry
The Novel as Form
Theory of the Essay
4. Form and Material
Material and Content
Technique and the Mastery of Material
Language and Poetry
The Literary Manifestation of Form and Material
Consequences for the Theory of Form
5. Artistic Form and the Commodity Form
Social and Abstract Labor
Abstraction and Exchange
Mediation and Form
Purposiveness, Communication, Language
Poetry and Reconciliation
Art Beauty and Natural Beauty
Priority of the Object
Coda
Lyric
Engaging Form
Beyond the New Formalism
Conclusion
Notes
Works Cited
Index
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