
We Are the Mutants
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Documenting the period between the arrival of US combat troops in Vietnam and the end of President Ronald Reagan's second term, it forgoes the usual and restrictive exemplars of "auteur cinema," and instead focuses on an eclectic selection of films and genres - horror, documentary, disaster, vigilante action, neo-noir, post-apocalyptic sci-fi - to track this period's tumultuous transformation in American life, culture, and politics.
Covering everything from Rosemary's Baby and Enter the Dragon to Escape from New York and Fatal Attraction, and from manufactured blockbusters and studio sleepers to forgotten Bs and cult classics, We Are the Mutants re-writes the history of modern American cinema, and in doing so, the history of America itself.
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