Musical Performance
A Guide to Understanding
1st Edition
Published on 2. February 2005
978-0-511-07469-1 (ISBN)
Description
This accessible guide for students, teachers and performers at all levels unravels the complexities of musical performance and focuses on key aspects of learning, playing and responding to music. A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts. Four chapters follow on teaching, development, practice and memorisation. The next section considers the 'translation' from score to sound, physical projection, ensemble playing and performance anxiety. The final section addresses the act of listening, the legacy of recordings, music criticism and 'performers on performance'.
Reviews / Votes
"Overall this volume eschews theorizing, and several of the authors rely heavily on empirical studies to confirm what only anecdotal evidence has previously supported.... accessible for performers and teachers at all levels...." ChoiceMore details
Language
English
Place of publication
Cambridge
United Kingdom
Publishing group
Cambridge University Press
Target group
College/higher education
Professional and scholarly
Illustrations
Worked examples or Exercises; 20 Printed music items; 20 Tables, black and white; 20 Plates, black and white
File size
3,70 MB
ISBN-13
978-0-511-07469-1 (9780511074691)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
12/2002
Cambridge University Press
€61.20
Shipment within 15-20 days
Book
12/2002
Cambridge University Press
€131.00
Shipment within 15-20 days
Person
Content
Introduction John Rink; Part I. Conceptions and Preconceptions: 1. Performing through history Colin Lawson; 2. Historical performance and the modern performer Peter Walls; 3. Analysis and (or?) performance John Rink; 4. Understanding the psychology of performance Eric Clarke; Part II. Learning to Perform: 5. On teaching performance Janet Ritterman; 6. Developing the ability to perform Jane Davidson; 7. Preparing for performance Stefan Reid; 8. Memorising music Aaron Williamon; Part III. Making Music: 9. From score to sound Peter Hill; 10. Communicating with the body in performance Jane Davidson; 11. Ensemble performance Elaine Goodman; 12. The fear of performance Elizabeth Valentine; Part IV. Interpreting Performance: 13. Listening to performance Eric Clarke; 14. The legacy of recordings Peter Johnson; 15. The criticism of musical performance Raymond Monelle; 16. Performers on performance Jonathan Dunsby.
