
Performance Studies
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Content
- Cover
- Series
- Title
- Copyright
- Contents
- List of Figures
- Notes on Contributors
- Acknowledgements
- Introduction: The Ethical Drive
- Chapter 1 The 'F' Word, Feminism's Critical Futures
- Chapter 2 Public Sphere
- Chapter 3 Paramodern
- Chapter 4 Digital Culture
- Chapter 5 Misperformance
- Chapter 6 Interval
- Chapter 7 Neuroaesthetics, Technoembodiment
- Chapter 8 Recursion, Iteration, Difference
- Chapter 9 Living History, Re-enactment
- Chapter 10 Performance Philosophy
- Chapter 11 Translation, Cultural Ownership
- Chapter 12 The Intense Exterior
- Chapter 13 Cosmopolitanism
- Chapter 14 Cultural Diversity
- Chapter 15 Citizenship, the Ethics of Inclusion
- Chapter 16 Installation, Constellation
- Chapter 17 Spatial Concepts
- Chapter 18 Consensus, Dissensus
- Chapter 19 Counterpropaganda, Resistance
- Chapter 20 Ekstasis
- Chapter 21 Social Somatics
- Chapter 22 Globalization, the Glocal, Third Space Theatre
- Chapter 23 Theatre of Immediacy, Transversal Poetics
- Chapter 24 Time in Theatre
- Chapter 25 Empathetic Engagement
- Chapter 26 Theories of Festival
- Chapter 27 Magic in Theatre
- Chapter 28 Animality, Posthumanism
- Chapter 29 Postdramatic Theatre
- Chapter 30 Evo-Neuro-Theatre
- Chapter 31 International/ism
- Chapter 32 Transculturation
- Chapter 33 Social Practice
- Chapter 34 'City'
- Index
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