The Blue Box
Kristevan/Lacanian Readings of Contemporary Cinema
1st Edition
Published on 1. March 2012
192 pages
978-1-4411-2773-0 (ISBN)
Description
Informed by the theory of Julia Kristeva, Frances Restuccia analyzes a variety of contemporary films replete with psychoanalytic subject matter and styles. She examines films that present elaborate fantasies and, through them, prompt the viewer to cut across a crippling fundamental fantasy-by enabling a mapping of his or her private fantasy onto the one being played out on the screen. Such absorption is a function of the semiotic dimension of the film, which offers the spectator an experience of intimacy, negativity, the gaze, and death.
Kristeva stresses that cinema has the power to bestow desiring subjectivity as a way of resisting the society of the spectacle through the specular. Through analyses of complex films such as Streitfeld's Female Perversions, Lynch's Mulholland Drive, Almodóvar's Volver, and Haneke's Caché, The Blue Box: Kristevan/Lacanian Readings of Contemporary Film demonstrates Julia Kristeva's concept of the "thought specular," from her fascinating chapter "Fantasy and Cinema" in Intimate Revolt. Kristeva deserves our full attention as a film theorist.
More details
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Illustrations
5 illus
ISBN-13
978-1-4411-2773-0 (9781441127730)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
03/2012
Continuum Publishing Corporation
€36.50
Shipment within 15-20 days
Person
Frances L. Restuccia is an English Professor at Boston College, where she teaches contemporary literary and cultural theory, the modern novel, the world novel, and film/film theory. She is the author of Amorous Acts: Lacanian Ethics in Modernism, Film, and Queer Theory (Stanford UP).
Content
Introduction: Film in Intimate Revolt
I. Black and Blue: Kieslowski's Melancholia
II. Hysterical Love Films: Breaking the Waves, Seventh Heaven, Damage
III. The Use of Perversion: Secretary or The Piano Teacher?
IV. Kristeva's Thought Specular: Countering Fetishism in the Society of the Spectacle
V. Psycho: The Ultimate Seduction
VI. Intimate Volver
VII. The Virtue of Blushing: Turning Anxiety into Shame in Haneke's Caché
I. Black and Blue: Kieslowski's Melancholia
II. Hysterical Love Films: Breaking the Waves, Seventh Heaven, Damage
III. The Use of Perversion: Secretary or The Piano Teacher?
IV. Kristeva's Thought Specular: Countering Fetishism in the Society of the Spectacle
V. Psycho: The Ultimate Seduction
VI. Intimate Volver
VII. The Virtue of Blushing: Turning Anxiety into Shame in Haneke's Caché
