
Partners in Suspense
Description
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Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work. -- .
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Content
1. Bernard Herrmann: Hitchcock's secret sharer - Jack Sullivan
2. Hitchcock, music and the mathematics of editing - Charles Barr
3. The anatomy of aural suspense in Rope and Vertigo - Kevin Clifton
4. The therapeutic power of music in Hitchcock's films - Sidney Gottlieb
5. A Lacanian take on Herrmann/Hitchcock - Royal S. Brown
6. Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much - Murray Pomerance
7. On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho(1960) - Pasquale Iannone
8. A dance to the music of Herrmann: a figurative dance suite - David Cooper
9. The sound of The Birds - Richard Allen
10. Musical romanticism v. the sexual aberrations of the criminal female: Marnie (1964) - K. J. Donnelly
11. The murder of Gromek: theme and variations - Tomas Williams
12. Mending the Torn Curtain: a rejected score's place in a discography - Gergely Hubai
13. The Herrmann-Hitchcock murder mysteries: post-mortem - William H. Rosar
14. How could you possibly be a Hitchcocko-Herrmannian?: Digitally re-narrativising collaborative authorship - Steven Rawle
Index -- .
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Copy protection: Adobe-DRM (Digital Rights Management)
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The file format ePub works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
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File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (only limited: Kindle).
The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our eBook Help page.