
Poetry as Play
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Content
- POETRY AS PLAY
- Editorial page
- Title page
- Copyright page
- Dedication
- Table of contents
- Preface
- Acknowledgments
- 1. The Comedia Nueva and Poetic Practice in the Golden Age
- I. INDETERMINACY OF GENRE IN THE COMEDIA NUEVA
- II. POETIC RENOVATIO AND ITS IMPACT ON THE COMEDIA
- A. THE ROMANCERO AND THE COMEDIA
- B. PETRARCHISM AND AMATORY POETRY IN THE COMEDIA
- C. THE COMEDIA AND GONGORISMO
- 2. Theatricality and Dramatic Attitude in Renaissance and Baroque Poetry
- I. GENERAL OBSERVATIONS ON BAROQUE THEATRICALITY
- A. THE ORALITY AND PUBLIC NATURE OF POETRY
- B. THE CERTÁMENES POÉTICOS
- C. DRAMATIZING THE LYRIC VOICE
- D. THE POETRY OF SELF-FASHIONING
- E. BAROQUE METAPHOR
- II. ANALOGIES BETWEEN POETIC DISCOURSE AND DRAMATIC CONVENTION
- 3. Lope and Góngora Revisited
- I. PERSONAL RIVALRY AND TEXTUAL REPERCUSSIONS
- A. GÓNGORA'S PARODIES OF LOPE
- B. LOPE'S AMBIGUOUS RESPONSE
- II. SEVENTEENTH-CENTURY ATTITUDES TOWARD LOPE'S COMEDIA AND GÓNGORA'S POETRY
- A. CONTROVERSIES OVER THE COMEDIA
- B. CONTROVERSIES OVER GÓNGORA'S POETRY
- C. DEFENSES OF COMEDIA AND GÓNGORA'S POETRY
- 4. Góngora and the Comedia (Part I): Las firmezas de Isabela: Transforming the Model
- I. CHARACTERIZATION AND ACTION IN LAS FIRMEZAS
- II. DIALOGUE, MONOLOGUE, AND ASIDE
- III. DRAMATIZING POETRY
- 5. Góngora and the Comedia (Part II): Parody as Performance in El doctor Carlino
- 6. The Critique of Góngora and Culteranismo in Lope's Comedias
- I. THE STORY OF ANGÉLICA
- II. EL CAPELLÁN DE LA VIRGEN
- III. LA DAMA BOBA
- IV. LA DOROTEA AND LAS BIZARRÍAS DE BELISA: LOPE'S FINAL CRITIQUE AND EMBRACE OF GONGORISMO
- 7. Gongorismo and Dramatic Practice after Lope
- I. GONGORINE REPERCUSSIONS IN SEVENTEENTH-CENTURY PLAYS
- II. "COLORES Y RUIDOS": GONGORISMO AND CALDERÓN'S THEATER
- A. CALDERONIAN DRAMA AND THE NEW THEATRICAL AESTHETIC
- B. THE COMEDIA AS SELF-CONSCIOUS GENRE
- C. THE POETRY OF CALDERÓN'S PLAYS
- D. THEATRICALITY AND GONGORISMO
- III. CONCLUSIONS
- Notes
- Works Consulted
- Index
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