
Movement for Actors (Second Edition)
Description
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Stage combat
Yoga for actors
Martial arts
Body-mind centering
Authentic movement
Bartenieff fundamentals
Grotowski-based movement
Those who want to pursue serious training will be able to consult the appendix for listings of the best teachers and schools in the country. This inspiring collection is a must-read for all actors, directors, and teachers of theater looking for stimulation and new approaches.
Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
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Persons
Mary Fleischer is a professor of theatre arts at Marymount Manhattan College. She holds a PhD in theatre from the Graduate Center of the City University of New York and is the author of Embodied Texts: Symbolist Playwright-Dancer Collaborations. She lives in New York City.
Barbara Adrian is a professor of theatre arts at Marymount Manhattan College and an associate artist with the off-Broadway theatre company New York Classical Theatre. She also coaches professional actors for television, film, and stage. She is the author of Actor Training the Laban Way: An Integrated Approach to Voice, Speech, and Movement (Allworth Press) and lives in New York City.
Content
- Intro
- Title Page
- Copyright
- Dedication
- Contents
- Preface to the Second Edition
- Introduction
- Part One: A Little History
- Biomechanics: Understanding Meyerhold's System of Actor Training by Marianne Kubik
- Michael Chekhov, Psychological Gesture, and the Thinking Heart by Floyd Rumohr
- Theatrical Stillness by Mary Fleischer
- Teaching Charlie Chaplin How to Walk by Dan Kamin
- The Whole of an Actor's Life by Richard Stockton Rand
- Part Two: Body Basics
- The Feldenkrais Method® by Alan S. Questel
- Alexander Technique and the Integrated Actor: Applying the Principles of the Alexander Technique to Actor Preparation by Teresa Lee
- An Introduction to Laban Movement Analysis for Actors: A Historical, Theoretical, and Practical Perspective by Barbara Adrian
- Acting with Bartenieff FundamentalsSM: A Somatic, Developmental Movement Training for Presence and Physical Characterization by Rachelle Palnick Tsachor
- Breathe Before You Act by Caroline Thomas
- Yoga for Actors: Approaches by Robert Allen
- Part Three: Transformations
- Mask and Ritual by Shelley Wyant
- The Smallest Mask: The Red Nose by Jean Taylor
- Discovering Ensemble and Impulse through Improvisation by Paul Urcioli
- Part Four: Beyond Glove, Fan, and Sword
- Bringing the Past into the Present: Period Dance on the Stage and in the Curriculum by Nira Pullin
- Shakespeare Honors the Three Centers of the Body by Susan Dibble
- Some Rehearsal Notes for Molière and Restoration Comedy Style by Rod McLucas
- Stage Combat: A Paradox of Fixed Technique and Free Expression by Matthew R. Wilson
- Part Five: Schools of Thought
- The Williamson Physical Technique: The Physical Process of Acting by Loyd Williamson
- A Comprehensive Approach to Theater Training and the Dynamic Merging of the Actor, Director, and Playwright by Kari Margolis
- Movement Training: Dell'Arte International by Joan Schirle
- Somatic Training for Actors with the Principles of Body-Mind Centering® by Erika Berland
- Part Six: Inside Out and Outside in
- Synergizing Internal and External Acting by Jill Mackavey
- The Actor as Athlete of the Emotions: The Rasaboxes Exercise by Michele Minnick and Paula Murray Cole
- Authentic Movement and Its Application to Contemporary Performance Training by Rebecca VerNooy
- Part Seven: Moving Forward
- Mind-Body Juggling for the Camera by Erika Batdorf
- Teaching Postmodern Choreography to Actors: Eschewing the Inebriation of Emotion Nicole Potter interviews Annie-B Parson
- SITI: Why We Train, A conversation between Anne Bogart and the SITI company, compiled by Will Bond
- The Problem of Movement Theater by Brad Krumholz
- Contributors
- Training Resources
- Suggested Reading
- Index
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