
Australian Cultural Policy Unravelled
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During the first two decades of the 21st century, new digital distribution technologies transformed the business of television worldwide, bringing conditions of abundance that ended mass media logics grounded in scarcity of content and providers. Digitization upended longstanding norms around the funding, production, and circulation of national television drama radically changing the ecosystem that had shaped Australian screen industry cultural policies.
This book's analysis of the responses of policymakers, broadcasters, production companies, and screen agencies to television's transformation evaluates their collective impacts on Australian television drama. It explains how 21st-century dynamics undermined cultural policy supporting the production of Australian drama with cultural value, leading to catastrophic falls in productions hours and titles. This book argues that the scale of disruption caused by digitization causes to transnational and national television urgently requires a bold re-imagining of cultural policy instruments intended to support the production of national drama in Australia.
This account will be of interest to screen industry practitioners, policymakers, scholars, and, more generally, to anyone wondering whatever happened to Australian television drama.
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Marion McCutcheon, PhD, is a communications economist and holds the position of Senior Research Fellow at the University of Canberra's News and Media Research Centre. She has extensive experience in providing policy-focused research and advice within the Australian Government, and as an academic researcher focusing on the media industries and creative industries. Her interests include the role of the creative industries in economic systems and how society benefits from investing in culture. Recent work includes the book Transnational TV Crime: From Scandinavia to the Outback (Edinburgh University Press 2024) with the University of Wollongong's Sue Turnbull.
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