Postnational Musical Identities
Cultural Production, Distribution, and Consumption in a Globalized Scenario
Lexington Books (Publisher)
1st Edition
Published on 28. December 2007
250 pages
978-0-7391-5937-8 (ISBN)
Description
Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization.
"Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.
"Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.
More details
Edition
1. Auflage
Language
English
Place of publication
New York
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
ISBN-13
978-0-7391-5937-8 (9780739159378)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Ignacio Corona | Alejandro L. Madrid
Postnational Musical Identities
Cultural Production, Distribution, and Consumption in a Globalized Scenario
Book
04/2010
Lexington Books
€63.20
Shipment within 10-20 days
Ignacio Corona | Alejandro L. Madrid
Postnational Musical Identities
Cultural Production, Distribution, and Consumption in a Globalized Scenario
Book
12/2007
Lexington Books
€133.10
Shipment within 10-20 days
Persons
Ignacio Corona is associate professor in the Departments of Spanish and Portuguese and Comparative Studies at Ohio State University.
Alejandro L. Madrid is assistant professor in the Latin American and Latino studies program at the University of Illinois-Chicago.
Alejandro L. Madrid is assistant professor in the Latin American and Latino studies program at the University of Illinois-Chicago.
Content
Chapter 1 Preface
Part 2 Part I. Postnational Perspectives in Music Scholarship
Chapter 3 Chapter 1. Introduction: The Postnational Turn in Music Scholarship and Music Marketing
Chapter 4 Chapter 2. Nationalist and Postnationalist Perspectives in American Musicology
Chapter 5 Chapter 3. Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967
Part 6 Part II. A Transnational Caribbean
Chapter 7 Chapter 4. The Miamization of Latin-American Pop Music
Chapter 8 Chapter 5. Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry
Part 9 Part III. Across the U.S.-Mexico Border
Chapter 10 Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec Music
Chapter 11 Chapter 7. Quest for the Local: Building Musical Ties between Mexico and the United States
Chapter 12 Chapter 8. Assimilation, Reclamation, and the Rejection of the Nation-State Chicano Musicians
Chapter 13 Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and National Identity
Part 14 Part IV. South-American Connections
Chapter 15 Chapter 10. Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the 20th Century
Chapter 16 Chapter 11. The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity
Chapter 17 Chapter 12. Transnational Soundscapes: Ambient Music and Bossatrônica
Part 2 Part I. Postnational Perspectives in Music Scholarship
Chapter 3 Chapter 1. Introduction: The Postnational Turn in Music Scholarship and Music Marketing
Chapter 4 Chapter 2. Nationalist and Postnationalist Perspectives in American Musicology
Chapter 5 Chapter 3. Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967
Part 6 Part II. A Transnational Caribbean
Chapter 7 Chapter 4. The Miamization of Latin-American Pop Music
Chapter 8 Chapter 5. Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry
Part 9 Part III. Across the U.S.-Mexico Border
Chapter 10 Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec Music
Chapter 11 Chapter 7. Quest for the Local: Building Musical Ties between Mexico and the United States
Chapter 12 Chapter 8. Assimilation, Reclamation, and the Rejection of the Nation-State Chicano Musicians
Chapter 13 Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and National Identity
Part 14 Part IV. South-American Connections
Chapter 15 Chapter 10. Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the 20th Century
Chapter 16 Chapter 11. The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity
Chapter 17 Chapter 12. Transnational Soundscapes: Ambient Music and Bossatrônica
