
Concentrationary Art
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Reviews / Votes
"The volume is a true labour of love, makes for fascinating reading, and at last offers us Cayrol in English translation...The articles take us on a fascinating journey in which Cayrol's idea of the concentrationary and the figure of Lazarus are explored as theories with their own histories...These analyses across di?erent artistic forms and historical periods demonstrate how fertile Cayrol's ideas were." * Modern Language Review"This is a politically urgent volume and an excellent resource for anyone studying the cultural or representational legacies of the concentration camp 'as both event and form', its (post)traumatic manifestations or memory in the contemporary world." * Textual Practice
"Concentrationary Art is invariably intellectually exhilarating to read, and is hard to put down. It puts forward a new and cogent aesthetic theory in its analysis not only of the wartime 'concentrationary', but also of the role of the survivor in a post-war world where traces of the same phenomena persist unseen in the everyday." * Sue Vice, University of Sheffield
"This is an authoritative, clear, and insightful book. The contributions to this excellent volume offer a novel take on the concentrationary and provide a wider understanding of post-Holocaust art." * Kathryn Robson, Newcastle University
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Content
Acknowledgements
Introduction: Lazarus and the Modern World
Max Silverman
PART I: LAZARUS AMONG US
Jean Cayrol
Lazarean Dreams
Lazarean Literature
PART II: SITUATING CAYROL'S LAZAREAN
Chapter 1. Lazarean Writing in Post-war France
Patrick ffrench
Chapter 2. The Perpetual Anxiety of Lazarus: The Gaze, the Tomb, and the Body in the Shroud
Griselda Pollock
PART III: READING WITH THE LAZAREAN
Chapter 3. Concentrationary Art and the Reading of Everyday Life: (In)human Spaces in Chantal Akerman's Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)
Max Silverman
Chapter 4. Cinematic Work as Concentrationary Art in Laurent Cantet's Ressources Humaines (1999)
Matthew John
Chapter 5. After Haunting: A Conceptualization of the Lazarean Image
Benjamin Hannavy Cousen
Chapter 6. Lazarean Sound: The Autonomy of the Auditory from Hanns Eisler (Nuit et Brouillard, 1955) to Susan Philipsz (Night and Fog, 2016)
Griselda Pollock
Concluding Remarks
Griselda Pollock
Index
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