
Principles of Digital Audio, Sixth Edition
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
More details
Other editions
Additional editions

Content
- Cover Page
- Principles of Digital Audio
- Copyright Page
- Dedication
- about
- Contents
- Preface
- 1 Sound and Numbers
- Physics of Sound
- Sound Pressure Level
- Harmonics
- Digital Basics
- Number Systems
- Binary Number System
- Binary Codes
- Weighted Binary Codes
- Unweighted Binary Codes
- Two's Complement
- Boolean Algebra
- Analog versus Digital
- 2 Fundamentals of Digital Audio
- Discrete Time Sampling
- The Sampling Theorem
- Nyquist Frequency
- Aliasing
- Quantization
- Signal-to-Error Ratio
- Quantization Error
- Other Architectures
- Dither
- Types of Dither
- Summary
- Postscript
- 3 Digital Audio Recording
- Pulse-Code Modulation
- Dither Generator
- Input Lowpass Filter
- Sample-and-Hold Circuit
- Analog-to-Digital Converter
- Successive Approximation A/D Converter
- Oversampling A/D Converter
- Record Processing
- Channel Codes
- Simple Codes
- Group Codes
- Code Applications
- 4 Digital Audio Reproduction
- Reproduction Processing
- Digital-to-Analog Converter
- Weighted-Resistor Digital-to-Analog Converter
- R-2R Ladder Digital-to-Analog Converter
- Zero-Cross Distortion
- High-Bit D/A Conversion
- Output Sample-and-Hold Circuit
- Output Lowpass Filter
- Impulse Response
- Digital Filters
- FIR Oversampling Filter
- Noise Shaping
- Output Processing
- Alternate Coding Architectures
- Floating-Point Systems
- Block Floating-Point Systems
- Nonuniform Companding Systems
- m-Law and A-Law Companding
- Differential PCM Systems
- Predictive Differential Coding
- Delta Modulation
- Adaptive Delta Modulation
- Companded Predictive Delta Modulation
- Adaptive Differential Pulse-Code Modulation
- Timebase Correction
- Jitter
- Eye Pattern
- Interface Jitter and Sampling Jitter
- Jitter in Mechanical Storage Media
- Jitter in Data Transmission
- Jitter in Converters
- 5 Error Correction
- Sources of Errors
- Quantifying Errors
- Objectives of Error Correction
- Error Detection
- Single-Bit Parity
- ISBN
- Cyclic Redundancy Check Code
- Error-Correction Codes
- Block Codes
- Hamming Codes
- Convolutional Codes
- Interleaving
- Cross-Interleaving
- Reed-Solomon Codes
- Cross-Interleave Reed-Solomon Code (CIRC)
- CIRC Performance Criteria
- Product Codes
- Error Concealment
- Interpolation
- Muting
- Duplication
- 6 Optical Disc Media
- Optical Phenomena
- Diffraction
- Resolution of Optical Systems
- Polarization
- Design of Optical Media
- Nonerasable Optical Media
- Read-Only Optical Storage
- Write-Once Optical Recording
- Erasable Optical Media
- Magneto-Optical Recording
- Phase-Change Optical Recording
- Dye-Polymer Erasable Optical Recording
- Digital Audio for Theatrical Film
- 7 Compact Disc
- Development
- Overview
- Disc Design
- Disc Optical Specification
- Data Encoding
- Player Optical Design
- Optical Pickup
- Autofocus Design
- Autotracking Design
- One-Beam Pickup
- Pickup Control
- Player Electrical Design
- EFM Demodulation
- Error Detection and Correction
- Output Processing
- Subcode
- Disc Manufacturing
- Premastering
- Disc Mastering
- Electroforming
- Disc Replication
- Alternative CD Formats
- CD-ROM
- CD-R
- CD-RW
- CD-MO
- CD-i
- Photo CD
- CD + G and CD + MIDI
- CD-3
- Video CD
- Super Audio CD
- Disc Design
- DSD Modulation
- DST Lossless Coding
- Player Design
- 8 DVD
- Development and Overview
- Disc Design
- Disc Optical Specification
- Disc Manufacturing and Playback
- Optical Playback
- Data Coding
- Reed-Solomon Product Code
- EFMPlus Modulation
- Universal Disc Format (UDF) Bridge
- DVD-Video
- DVD-Video Video Coding
- DVD-Video Audio Coding
- DVD-Video Playback Features
- DVD-Video Authoring
- DVD-Video Developer's Summary
- DVD-Audio
- DVD-Audio Coding and Channel Options
- DVD-Audio Disc Contents
- DVD-Audio Developer's Summary
- Alternative DVD Formats
- DVD-ROM
- DVD-R and DVD + R
- DVD-RW and DVD + RW
- DVD-RAM
- DVD Content Protection
- DVD-Video Copy Protection
- DVD-Audio Copy Protection
- Content Protection for Recordable Media
- Secure Digital Transmission
- DVD Watermarking
- HD DVD
- 9 Blu-ray
- Development and Overview
- Disc Capacity
- BD-ROM Player Profiles
- Disc Design
- Disc Optical Specification
- Optical Pickup Design
- Disc Manufacturing
- BD-ROM Specifications
- Audio Codecs
- Video Codecs
- Modulation and Error Correction
- Audio-Video Stream Format and Directory
- Blu-ray UDF File System
- HDMV and BD-J Application Programming Modes
- Blu-ray 3D
- Region Playback Code
- Content Protection
- Blu-ray Recordable Formats
- AVCHD Format
- 10 Low Bit-Rate Coding: Theory and Evaluation
- Perceptual Coding
- Psychoacoustics
- Physiology of the Human Ear and Critical Bands
- Threshold of Hearing and Masking
- Temporal Masking
- Psychoacoustic Models
- Spreading Function
- Tonality
- Rationale for Perceptual Coding
- Perceptual Coding in Time and Frequency
- Subband Coding
- Transform Coding
- Filter Banks
- Quadrature Mirror Filters
- Hybrid Filters
- Polyphase Filters
- MDCT
- Multichannel Coding
- Tandem Codecs
- Spectral Band Replication
- Perceptual Coding Performance Evaluation
- Critical Listening
- Listening Test Methodologies and Standards
- Listening Test Statistical Evaluation
- Lossless Data Compression
- Entropy Coding
- Audio Data Compression
- 11 Low Bit-Rate Coding: Codec Design
- Early Codecs
- MPEG-1 Audio Standard
- MPEG Bitstream Format
- MPEG-1 Layer I
- Example of MPEG-1 Layer I Implementation
- MPEG-1 Layer II
- MPEG-1 Layer III (MP3)
- MP3 Bit Allocation and Huffman Coding
- MP3 Stereo Coding
- MP3 Decoder Optimization
- MPEG-1 Psychoacoustic Model 1
- MPEG-1 Psychoacoustic Model 2
- MPEG-2 Audio Standard
- MPEG-2 AAC
- AAC Main Profile
- AAC Allocation Loops
- AAC Temporal Noise Shaping
- AAC Techniques and Performance
- ATRAC Codec
- Perceptual Audio Coding (PAC) Codec
- AC-3 (Dolby Digital) Codec
- AC-3 Overview
- AC-3 Theory of Operation
- AC-3 Exponent Strategies and Bit Allocation
- AC-3 Multichannel Coding
- AC-3 Bitstream and Decoder
- AC-3 Applications and Extensions
- DTS Codec
- Meridian Lossless Packing
- 12 Speech Coding for Transmission
- Speech Coding Criteria and Overview
- Waveform Coding and Source Coding
- Human Speech
- Source-Filter Model
- Channel, Formant, and Sinusoidal Codecs
- Predictive Speech Coding
- Linear Predictive Coding
- Code Excited Linear Prediction
- CELP Encoder and Decoder
- CELP Codebooks
- Vector Quantization
- Examples of CELP Codecs
- Scalable Speech Coding
- G.729.1 and MPEG-4 Scalable Codecs
- Bandwidth Extension
- Echo Cancellation
- Voice Activity Detection
- Variable Bit Rate
- Speech Recognition
- Speex Codec
- Quantifying Performance of Speech Codecs
- Speech Coding Standards
- 13 Audio Interconnection
- Audio Interfaces
- SDIF-2 Interconnection
- AES3 (AES/EBU) Professional Interface
- AES3 Frame Structure
- AES3 Channel Status Block
- AES3 Implementation
- AES10 (MADI) Multichannel Interface
- S/PDIF Consumer Interconnection
- Serial Copy Management System
- High-Definition Multimedia Interface (HDMI) and DisplayPort
- Musical Instrument Digital Interface (MIDI)
- AES11 Digital Audio Reference Signal
- AES18 User Data Channels
- AES24 Control of Audio Devices
- Sample Rate Converters
- Fiber-Optic Cable Interconnection
- Fiber-Optic Cable
- Connection and Installation
- Design Example
- 14 Personal Computer Audio
- PC Buses and Interfaces
- IEEE 1394 (FireWire)
- Digital Transmission Content Protection (DTCP)
- Universal Serial Bus (USB)
- Sound Card and Motherboard Audio
- Music Synthesis
- Surround Sound Processing
- Audio Codec '97 (AC '97)
- High Definition Audio (HD Audio)
- Windows DirectX API
- MMX
- File Formats
- WAV and BWF
- MP3, AIFF, QuickTime, and Other File Formats
- Open Media Framework Interchange (OMFI)
- Advanced Authoring Format (AAF)
- Material eXchange Format (MXF)
- AES31
- Digital Audio Extraction
- Flash Memory
- Hard-Disk Drives
- Magnetic Recording
- Hard-Disk Design
- Digital Audio Workstations
- Audio Software Applications
- Professional Applications
- Audio for Video Workstations
- 15 Telecommunications and Internet Audio
- Telephone Services
- ISDN
- Asymmetric Digital Subscriber Line (ADSL)
- Cellular Telecommunications
- Networks and File Transfers
- Ethernet
- Asynchronous Transfer Mode (ATM)
- Bluetooth
- IEEE 802.11 Wireless LAN (Wi-Fi)
- MediaNet
- Internet Audio
- Voice over Internet Protocol (VoIP)
- Digital Rights Management
- Audio Encryption
- Audio Watermarking
- Audio Fingerprinting
- Streaming Audio
- G2 Music Codec for Streaming
- Audio Webcasting
- MPEG-4 Audio Standard
- MPEG-4 Interactivity
- MPEG-4 Audio Coding
- MPEG-4 Versions
- MPEG-4 Coding Tools
- MPEG-7 Standard
- 16 Digital Radio and Television Broadcasting
- Satellite Communication
- Direct Broadcast Satellites
- Digital Audio Radio
- Digital Audio Transmission
- Spectral Space
- Data Reduction
- Technical Considerations
- Eureka 147 Wideband Digital Radio
- In-Band Digital Radio
- HD Radio
- HD Radio FM-IBOC
- HD Radio AM-IBOC
- Direct Satellite Radio
- Sirius XM Radio
- Digital Television (DTV)
- DTV and ATSC Overview
- Video Data Reduction
- MPEG-1 and MPEG-2 Video Coding
- MPEG-1 Video Standard
- MPEG-2 Video Standard
- ATSC Digital Television
- ATSC Display Formats and Specification
- DTV Implementation
- 17 Digital Signal Processing
- Fundamentals of Digital Signal Processing
- DSP Applications
- Discrete Systems
- Linearity and Time-Invariance
- Impulse Response and Convolution
- Complex Numbers
- Mathematical Transforms
- Unit Circle and Region of Convergence
- Poles and Zeros
- DSP Elements
- Digital Filters
- FIR Filters
- IIR Filters
- Filter Applications
- Sources of Errors and Digital Dither
- DSP Integrated Circuits
- Processor Architecture
- Fixed Point and Floating Point
- DSP Programming
- Filter Programming
- Texas Instruments Code
- Motorola Code
- Analog Devices SHARC Code
- Specialized DSP Applications
- Digital Delay Effects
- Digital Reverberation
- Digital Mixing Consoles
- Loudspeaker Correction
- Noise Removal
- 18 Sigma-Delta Conversion and Noise Shaping
- Sigma-Delta Conversion
- Delta Modulation
- Sigma-Delta Modulation
- Analysis of a First-Order Sigma-Delta Modulator
- Higher-Order Noise Shaping
- Idle Tones and Limit Cycles
- One-Bit D/A Conversion with Second-Order Noise Shaping
- Multi-Bit D/A Conversion with Third-Order Noise Shaping
- Multi-Bit D/A Conversion with Quasi Fourth-Order Noise Shaping
- Sigma-Delta A/D Conversion
- Digital Filtering and Decimation
- Sigma-Delta A/D Converter Chip
- Sigma-Delta D/A Converter Chip
- Sigma-Delta A/D-D/A Converter Chip
- Noise Shaping of Nonoversampling Quantization Error
- Psychoacoustically Optimized Noise Shaping
- Buried Data Technique
- Appendix The Sampling Theorem
- Bibliography
- Index
System requirements
File format: ePUB
Copy protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePub works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our ebook Help page.