
Cold War Camera
Description
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Persons
Erina Duganne is Professor of Art History at Texas State University and author of The Self in Black and White: Race and Subjectivity in Postwar American Photography.
Andrea Noble (1968-2017) was Professor of Latin American Studies at Durham University and author of Mexican National Cinema.
Content
Acknowledgments xv
Cold War Camera: An Introduction / Thy Phu, Andrea Noble, and Erina Duganne 1
Visual Alliances
1. Ernest Cole's House of Bondage, the United States Information Agency, and the Cultural Politics of the World War / Darren Newbury 33
2. Icon of Solidarity: The Revolutionary Vietnamese Woman in Vietnam, Palestine, and Iran / Thy Phu, Evyn Lê Espiritu Gandi, and Donya Ziaee 67
3. Group Material's "Art for the Future": Visualizing Transnational Solidarity at the End of the Global Cold War / Erina Duganne 113
4. Interrogating the Cold War's Geo-Politics from Down South: Chile from Within (1990) and the Construction of a Situated Visuality / Ángeles Donoso Macaya 143
5. Decolonization and Nonalignment: African Futures, Lost and Found / Jennifer Bajorek 167
Photo Essays
6. Bifurcated and Parallel Histories / Tong Lam 195
7. Preservation of Terror / Eric Gottesman 203
Structures of Seeing
8. Ending World War II: The Visual Literacy Class in Cold War Human Rights / Ariella Aïsha Azoulay 213
9. "Planted There Like Human Flags": Photographs of the High Arctic and Cold War Anxiety, 1951-1956 / Sarah Parsons 239
10. Urban Albums, Village Forms: Chinese Family Photographs and the Cold War / Laura Wexler, Karintha Lowe, and Guigui Yao 263
11. Travel, Space, and Belonging in Soviet Domestic Photo Collections of the Cold War Era / Oksana Sarkosova and Olga Shevchenko 293
12. Exhibiting Ethnic Minorities, Democratizing History: Cold War Legacies and the Jews in Poland's Visible Sphere / Gil Pasternak and Marta Zietkiewicz 327
Bibliography 359
Contributors 389
Index 395
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