
Untimely Epic
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Content
- Introduction
- I. Vocabularies
- II. Textual Performances
- III. Form and Fashioning
- IV. The Cosmic and the Momentary
- 1: Affecting Time
- I. The Text in Time
- I.1. New Beginnings
- I.2. Homer's Pasts
- I.3. Heracles and the Multitemporal
- II. Intertexts, Intentions, and Acknowledgement
- II.1. Metapoetics, Affect, Speculation
- II.2. Poetry and Philology
- II.3. Pensiveness
- II.4. The Life of the Author
- II.5. Exultation
- III. Conclusions
- 2: Untimely Performances
- I. Thynias: Epiphany, Song, Ritual
- I.1. Genre and Context
- I.2. Thematics and Exemplarity
- I.3. The Poetics of Presence
- II. The Heliades: Primordial Lament
- II.1. Primordial Sound
- II.2. Presence, Empathy, Finitude
- II.3. Multitemporality
- III. The Sirens Unheard: Time, Expressivity, Voicing
- III.1. Situating the Sirens
- III.2. Allusivity
- III.3. Soundscape, Meaning, Voice
- III.4. Voicing Untimeliness
- III.5. An Ethics of Absorption
- IV. Conclusions
- 3: Past Encounters
- I. A Gathering of Wisdom
- II. Dipsacus
- III. Archaeologies of Perception
- IV. Circe's Beasts, Orpheus' Cosmogony
- V. Between the Windows of the Sea
- V.1. Luminously Peopled
- V.2. The Facts Were Known
- VI. Reading Rituals
- VI.1. Dindymum
- VI.2. Idmon's Tomb
- VI.3. The Black Rock
- VI.4. Anaphe
- VII. The Hesperides
- VIII. Conclusions
- 4: Exemplarity, Ethics, Narrative
- I. Jason's Cloak
- I.1. Exemplifying Exemplarity
- I.2. Ecphrasis and the Universal
- I.3. Picturing Time
- II. Jason, Medea, and Ariadne
- II.1. Time Out of Joint
- II.2. The Colour of Stars
- II.3. Desire and Reflection
- II.4. Gesture
- II.5. Heavy Misfortunes
- III. Conclusions
- 5: Imagined Worlds
- I. Worlds Imagined
- II. Aeetes
- III. The Bulls
- IV. The Earthborn
- V. The Golden Fleece
- V.1. A Special Way of Being Afraid
- V.2. Answerable Style
- VI. Conclusions
- 6: Conclusion
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