Music and Time
Psychology, Philosophy, Practice
1st Edition
Published on 10. June 2022
218 pages
978-1-80010-580-5 (ISBN)
Description
How does music manifest through time and, simultaneously, how does time manifest through music?
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Book
06/2022
Boydell Press
€121.50
Shipment within 3-4 weeks
Persons
Phillips Michelle:
MICHELLE PHILLIPS is a music psychologist and a Senior Lecturer at the Royal Northern College of Music.Sergeant Matthew:
MATTHEW SERGEANT is a composer and researcher and Reader in Music at Bath Spa University.Phillips Michelle:
MICHELLE PHILLIPS is a music psychologist and a Senior Lecturer at the Royal Northern College of Music.Sergeant Matthew:
MATTHEW SERGEANT is a composer and researcher and Reader in Music at Bath Spa University.
MICHELLE PHILLIPS is a music psychologist and a Senior Lecturer at the Royal Northern College of Music.Sergeant Matthew:
MATTHEW SERGEANT is a composer and researcher and Reader in Music at Bath Spa University.Phillips Michelle:
MICHELLE PHILLIPS is a music psychologist and a Senior Lecturer at the Royal Northern College of Music.Sergeant Matthew:
MATTHEW SERGEANT is a composer and researcher and Reader in Music at Bath Spa University.
Content
Introduction
Matthew Sergeant and Michelle Phillips
Part I. Experiences
1. Music Listening and the Perception of Time: The LEMI Model
Michelle Phillips
2. The Remembrance of Things to Be: An Approach to Memory, Repetition, and Cyclical Structures
Bryn Harrison
3. An Overview of the Psychology of Time Perception
Luke A. Jones
4. The Perceptual Present and the Philosophical Puzzle of Musical Experience
Abigail Connor and Joel Smith
Part II. Enactments
5. Ensemble Timing in String Quartets
Alan Wing, Maria Witek, Ryan Stables, and Adrian Bradbury
6. Midway Ambiguities: Disorientation and Interpretation in Long-Duration Music
Philip Thomas
7. Live Coding as a Theatre of Agency and a Factory of Time
Alejandro Franco Briones
Part III. Meanings
8. Comparing Temporal Fictions in Tonality and Triadic Post-Tonality: Chopin's Fourth Ballade as a Link Between the Ages
Jason Noble
9. Nothing Really Changes': Material Processes in and as Timein hearmleoþ-gieddunga
Lauren Redhead
10. Music, Time, and Society
Matthew Sergeant
Conclusion: Multiplicity, Fluidity, Fragility
Michelle Phillips and Matthew Sergeant
Bibliography
Index
Matthew Sergeant and Michelle Phillips
Part I. Experiences
1. Music Listening and the Perception of Time: The LEMI Model
Michelle Phillips
2. The Remembrance of Things to Be: An Approach to Memory, Repetition, and Cyclical Structures
Bryn Harrison
3. An Overview of the Psychology of Time Perception
Luke A. Jones
4. The Perceptual Present and the Philosophical Puzzle of Musical Experience
Abigail Connor and Joel Smith
Part II. Enactments
5. Ensemble Timing in String Quartets
Alan Wing, Maria Witek, Ryan Stables, and Adrian Bradbury
6. Midway Ambiguities: Disorientation and Interpretation in Long-Duration Music
Philip Thomas
7. Live Coding as a Theatre of Agency and a Factory of Time
Alejandro Franco Briones
Part III. Meanings
8. Comparing Temporal Fictions in Tonality and Triadic Post-Tonality: Chopin's Fourth Ballade as a Link Between the Ages
Jason Noble
9. Nothing Really Changes': Material Processes in and as Timein hearmleoþ-gieddunga
Lauren Redhead
10. Music, Time, and Society
Matthew Sergeant
Conclusion: Multiplicity, Fluidity, Fragility
Michelle Phillips and Matthew Sergeant
Bibliography
Index
