
Museum Pieces
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Ruth B. Phillips is an art historian specializing in North American Aboriginal art and a former director of the University of British Columbia Museum of Anthropology.Ruth B. Phillips is an art historian specializing in North American Aboriginal art and a former director of the University of British Columbia Museum of Anthropology.
Content
- Intro
- Title
- Copyright
- Contents
- Illustrations
- Acknowledgments
- A Note on Names and Terms
- A Preface - by Way of an Introduction
- PART ONE: CONFRO NTATION AND CONTESTATION
- Undoing the Settler Museum: Showing Off and Showing Up
- 1 "Arrow of Truth": The Indians of Canada Pavilion at Expo 67 with Sherry Brydon
- 2 Moment of Truth: The Spirit Sings asCritical Event and the Exhibition Inside It
- 3 APEC at the Museum of Anthropology:The Politics of Site and the Poetics of Sight Bite
- PART TWO: RE-DISCIPLINING THE MUSEUM
- Exclusions and Inclusions: Authenticity, Sacrality, and Possession
- 4 How Museums Marginalize:Naming Domains of Inclusion and Exclusion
- 5 Fielding Culture: Dialogues between Art History and Anthropology
- 6 Disappearing Acts: Traditions ofExposure, Traditions of Enclosure,and the Sacrality of Onkwehonwe Medicine Masks
- 7 The Global Travels of a Mi'kmaq Coat:Colonial Legacies, Repatriation, and the New Cosmopolitanism
- PART THREE: WOR KING IT OUT
- Indigenizing Exhibitions: Experiments and Practices
- 8 Making Space: First Nations Artists, theNational Museums, and the Columbus Quincentennial (1992)
- 9 Cancelling White Noise:Gerald McMaster's Savage Graces (1994)
- 10 Threads of the Land at theCanadian Museum of Civilization (1995)
- 11 Toward a Dialogic Paradigm:New Models of Collaborative Curatorial Practice
- 12 Inside-Out and Outside-In:Re-presenting Native North America atthe Canadian Museum of Civilization andthe National Museum of the American Indian (2003-2004)
- PART FOUR: THE SECOND MUSEUM AGE
- Working with Hybridity
- 13 From Harmony to Antiphony:The Indigenous Presence in a (Future) Portrait Gallery of Canada
- 14 Modes of Inclusion: Indigenous Art atthe National Gallery of Canada and the Art Gallery of Ontario
- 15 The Digital (R)Evolution of Museum-Based Research
- 16 "Learning to Feed off Controversies": Meeting the Challenges of Translation and Recovery in Canadian Museums
- Notes
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z
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