
Law as Performance
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Content
- Introduction
- 1: Theatre, Theatrocracy, and the Politics of Pathos in the Athenian Lawcourt
- 2: The Roman Advocate as Actor: Actio, Pronuntiatio, Prosopopoeia, and Persuasive Empathy in Cicero and Quintilian
- 3: Courtroom Oratory, Forensic Delivery, and the Wayward Body in Medieval Rhetorical Theory
- 4: Irreverent Performances, Heterodox Subjects, and the Unscripted Crowd from the Medieval Courtroom to the Stocks and Scaffold
- 5: Performing Law in the Age of Theatre (c. 1500-1650)
- 6: Legal Performance Education in Early Modern England
- Epilogue
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