
Concurrences in Postcolonial Research
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Content
- Intro
- Acknowledgements
- Contributors
- Towards Global Connections and Multiple Entanglement
- Concurrent Subjectivities and Coevalness in Saidiya Hartman's Lose Your Mother
- Autofiction as a Postcolonial Strategy: Guilherme Mendes da Silva's The Moods of Mister Utac (De humeuren van meneer Utac) and Junot Díaz' The Brief Wondrous Life of Oscar Wao
- Moments of Suffering, Pain and Resilience: Somali refugees' Memories of Home and Journeys to Exile
- Homosexuality as "UnAfrican": Heteronormativity, Power, and Ambivalence in Cameroon
- Concurrent contestations: Framing, and Naming the 'queer' in art from Africa
- Queer Visibility and Visual Resistance against Homophobia at Dak'Art, The Biennial Exhibition of Contemporary African Art in Dakar 2014
- Entangled Voices, Lived Songs. Mwambwambwa, a Cokwe Song recorded in 1954 at Colonial Lunda, Angola
- A Contradictory Encounter: Swedish Missionaries and the Local Population in the Congo Free State
- "Lest the punishment of Ahab fall upon you": The Psychic Impact of Concurrent Narratives in the Hawaiian Missionary Legacy
- Policy Lending or Imposition: An Assessment of the World Bank's Education Policy influence on Development in Africa
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