
L'Homme blesse
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L'Homme blesse generated controversy with its dark tone and its treatment of an adolescent's obsessive homoerotic desire, as well as Chereau's denial that the film is about homosexuality. Robert Payne guides readers through the powerfully erotic underworld of L'Homme blesse, where the film sidesteps fixed identities and draws viewers into the ambiguous spaces of queer desire, and argues that its visual composition depicts queer ways of seeing and generates queer ways of feeling. A look into the production's historical and cultural backdrop uncovers a behind-the-scenes story of power and desire between its two screenwriters and the presence of HIV/AIDS hovering ominously and inevitably off screen. Original interviews trace the lives of L'Homme blesse across three continents and three decades and measure the film's enduring value beyond its prestigious debut.
Payne cements L'Homme blesse in its rightful place within queer cultural history and introduces the film to a new generation of viewers.
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