
Landskipping
Description
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While painters painted and writers wrote, an entirely different band of men, the agricultural improvers, also travelled the land, and published a series of remarkable commentaries on the state of agricultural England. They looked at the land in terms of its usefulness as well as its beauty, and, using their reports, Anna Pavord explores the many different ways that land was managed and farmed, showing that what is universal is a place's capacity to frame and define our experience.
Moving from the rolling hills of Dorset to the peaks of the Scottish Highlands, this is an exquisite and compelling book, written with zest, passion and deep understanding.
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Person
For the last thirty years she has lived in Dorset, England.
Content
- Cover
- Praise for Landskipping
- A Note on the Author
- Dedication
- Title
- Contents
- Beginning
- PART ONE: PROSPECTS AND PAINTERS
- Chapter 1 Looking at the Lakes
- Chapter 2 Painting the Prospect
- Chapter 3 A Fitting Landscape
- Chapter 4 'I Should Paint my own Places Best'
- Chapter 5 The Highlands
- Chapter 6 Making the Journey
- Chapter 7 Heavenly Hafod
- PART TWO: Prospects and the Plough
- Chapter 8 The Board of Agriculture
- Chapter 9 William Cobbett
- Chapter 10 Of Rooks and Sheep
- Chapter 11 Common Land
- Chapter 12 Landscape and Farmers
- Chapter 13 Dressing the Skeleton
- PART THREE: Prospects and Place
- Chapter 14 A Particular Patch
- Chapter 15 Thomas Hardy's Wessex
- Chapter 16 What Does Landscape Offer?
- Ending
- Notes
- Bibliography
- Acknowledgements
- List of Illustrations
- Index
- By the Same Author
- Also Available by Anna Pavord
- Copyright
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