
War + Ink
Description
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Content
- Cover
- Title
- Copyright
- Contents
- Acknowledgments
- Introduction
- Hemingway in Kansas City: The True Dope on Violence and Creative Sources in a Vile and Lively Place
- Ernest Hemingway, 1917-1918: First Work, First War
- Love in the Time of Influenza: Hemingway and the 1918 Pandemic
- Hemingway: A Typical Doughboy
- Pleasant, Isn't It?": The Language of Hemingway and His World War I Contemporaries
- Looking at Horses: Destructive Spectatorship in The Sun Also Rises
- Idealism, Deadlock, and Decimation: The Italian Experience of World War I in Ernest Hemingway's A Farewell to Arms and Emilio Lussu's Sardinian Brigade
- The Fragmented Origins of Ernest Hemingway's "A Natural History of the Dead
- A Way It Never Was: Propaganda and Shell Shock in "Soldier's Home" and "A Way You'll Never Be
- All Quiet on the Midwestern Front: "Soldier's Home
- Hemingway's "Soldier's Home": The Kansas Welcome Association, Abbreviations, and World War I Archives
- Getting to the Truth: Hemingway, Cather, and the Testimony of Two World Wars
- The Need for Narrative in Our Time: Hemingway's "Tragic Adventure" and Regis University's Stories from Wartime
- That Supreme Moment of Complete Knowledge: Hemingway's Theory of the Vision of the Dying
- Dangerous Families: A Midwestern Exorcism
- Hemingway and Women at the Front: Blowing Bridges in A Farewell to Arms, The Fifth Column, and For Whom the Bell Tolls
- Across the Canal and into Kansas City: Hemingway's Westward Composition of Absolution in Across the River and into the Trees
- Chronology
- List of Contributors
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- R
- S
- T
- U
- V
- W
- Y
- Z
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File format: PDF
Copy-Protection: Adobe-DRM (Digital Rights Management)
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