
The Narrator
Description
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Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.
Reviews / Votes
"This is a meticulously researched, thought-provoking study of the concept of the narrator."-K. Wein, Choice "This ground-breaking study situates works that presume that every narrative has a narrator within communicational theories and convincingly argues instead for poetic theories, which maintain that while authors of fiction may create narrators, they are in no way compelled to do so. A major contribution to narrative theory."-Jonathan Culler, author of Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature "The Narrator is an expansive, meticulously researched, and brilliantly argued intervention in narrative theory. Powerful and compelling, its conclusions will have to be engaged with by all future students of narration."-Brian Richardson, author of Unnatural Voices: Extreme Narration in Modern and Contemporary FictionMore details
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