
Anywhere or Not at All
Description
Alles über E-Books | Antworten auf Fragen rund um E-Books, Kopierschutz und Dateiformate finden Sie in unserem Info- & Hilfebereich.
Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that "contemporary art is postconceptual art," the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and its global context; art against aesthetic; the Romantic pre-history of conceptual art; the multiplicity of modernisms; transcategoriality; conceptual abstraction; photographic ontology; digitalization; and the institutional and existential complexities of art-space and art-time. Anywhere or Not at All maps out the conceptual space for an art that is both critical and contemporary in the era of global capitalism.
All prices
More details
Other editions
Additional editions

Person
Content
- Cover
- Title
- Dedication
- Contents
- Introduction
- 1 The fiction of the contemporary
- Together in time?
- Three periodizations of contemporary art
- Idea, problem, fiction, task
- The global transnational, or, the contemporary today
- Joseph Bitar
- Fictionalization of artistic authority/collectivization of artistic fictions: A First Transnational
- 2 Art beyond aesthetics
- Art Versus Aesthetics (Jena Romanticism contra Kant)
- Periodization and Historical Ontology: Postconceptual Art
- A Speculative Proposition
- An Image of Romanticism (Benjamin, Schlegel, LeWitt)
- Fragment and Sentence
- Information and Series
- Process and Project
- 3 Modernisms and mediations
- The double heritage of the modern in art
- Artistic modernisms: aesthetic, specific, generic
- Mediations after mediums: nominalism and genre, isms and series
- Everything, everywhere? Polke and Richter
- 4 Transcategoriality: postconceptual art
- Smithson and medium (or, against 'sculpture')
- The 'interminable avalanche of categories'
- Ontology of materializations: non-site
- Conceptual abstraction and 'pure perception'
- 5 Photographic ontology, infinite exchange
- Distributive unity
- The photograph: metonymic model of an imagined unity
- Digitalization, art and the real (or, anxiety about abstraction)
- The visible, the invisible and the multiplication of visualizations
- 6 Art space
- Non-places and the textualization of art
- Architecturalization: three questions
- Construction and expression
- Art as displaced urbanism: capitalist constructivism of the exhibition-form
- Transnationalization: art industry
- Project space
- 7 Art time
- Attention and distraction: boredom as possibility
- Distracted reception (duration and rhythm)
- Memory or history?
- Testimonies: Three works
- Expectation as a historical category (critique of Koselleck)
- Expecting the unexpected: puncturing the horizon
- Acknowledgements
- Notes
- Bibliography
- Image credits
- Index
- Copyright
System requirements
File format: ePUB
Copy protection: Adobe-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Install the free reader Adobe Digital Editions prior to download (see eBook Help).
- Tablet/smartphone (Android; iOS): Install the free app Adobe Digital Editions or the app PocketBook before downloading (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePub works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Adobe-DRM, a „hard” copy protection. If the necessary requirements are not met, unfortunately you will not be able to open the eBook. You will therefore need to prepare your reading hardware before downloading.
Please note: We strongly recommend that you authorise using your personal Adobe ID after installation of any reading software.
For more information, see our ebook Help page.
File format: ePUB
Copy protection: Watermark-DRM (Digital Rights Management)
System requirements:
- Computer (Windows; MacOS X; Linux): Use a reading software that can process the file format ePUB: e.g., Adobe Digital Editions or FBReader – both free (see eBook Help).
- Tablet/Smartphone (Android; iOS): Before downloading, install the free app Adobe Digital Editions (see eBook Help).
- E-reader: Bookeen, Kobo, Pocketbook, Sony, Tolino and many more (not Kindle).
The file format ePUB works well for novels and non-fiction books – i.e., „flowing” text without complex layout. On an e-reader or smartphone, line and page breaks automatically adjust to fit the small displays.
This eBook uses Watermark-DRM, a „soft” copy protection. This means that there are no technical restrictions to prevent illegal distribution. However, there is a personalised watermark embedded in the eBook that can be used to identify the purchaser of the eBook in the event of misuse and to provide evidence for legal purposes.
For more information, see our eBook Help page.