
Bernstein Meets Broadway: Collaborative Art in a Time of War
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Content
- Cover
- Bernstein Meets Broadway: Collaborative Art in a Time of War
- Copyright
- Dedication
- Contents
- Foreword
- Acknowledgments
- BERNSTEIN MEETS BROADWAY
- INTRODUCTION
- BALLET AND NIGHTCLUBS
- 1. YOUTHFUL CELEBRITY AND PERSONAL FREEDOM: Breaking Out with Fancy Free
- GENESIS OF A HIT: BERNSTEIN AND ROBBINS EMERGE ONSTAGE
- THE PLEASURE OF ARCHIVAL FOOTAGE
- "MY BUDDY": THE FLEET'S IN! AND FANCY FREE
- PERSONAL NARRATIVES MEET ARTISTIC VISIONS
- HERE-AND-NOW ARTISTIC VISION
- CROSSING OVER WITH "BIG STUFF" AND BILLIE HOLIDAY
- DEVISING A MUSICAL STYLE FOR DANCE AND PANTOMIME
- JAZZ AND MUSICAL MONTAGE
- COMPOSING "MY BUDDY": THE SHADOW OF AARON COPLAND IN FANCY FREE
- FANCY FREE'S "DANZÓN": EXPLORING AFRO-CUBAN MUSIC WITH COPLAND
- 2. FROM NIGHTCLUBS TO BROADWAY: The Revuers, Comedy Skits, and Left-Wing Politics
- LAUNCHING THE REVUERS
- RACE AND PERFORMANCE CHOICES
- SAMPLING SKITS
- POINTING TO THE FUTURE
- BROADWAY AND RACIAL POLITICS
- 3. CREATING A BROADWAY MUSICAL: The Conception and Debut of On the Town
- CONTEMPORARY PLOT AND CHARACTERS
- COLLABORATION, TIMELINE, PROCESS
- DRAMATIS PERSONAE, CROSSOVER NETWORKS
- SOCIAL ANATOMY OF A BOSTON PREVIEW AND BROADWAY RUN
- REACHING GREATER AMERICA
- HOLLYWOOD RECONCEPTION
- 4. A JAPANESE AMERICAN STAR DURING WORLD WAR II: Sono Osato and "Exotic Ivy Smith"
- INTRODUCING SONO OSATO AS IVY
- SONO OSATO AND AMERICAN BEAUTY
- NISEI IN INTERWAR AMERICA
- A DEVELOPING ARTIST
- BALLET THEATRE AND THE CASE OF SHOJI OSATO, "ALIEN ENEMY"
- ONE TOUCH OF VENUS
- HIRING NISEI ARTISTS: ON THE TOWN AND APPALACHIAN SPRING
- ON THE TOWN AND THE ONGOING CASE OF SHOJI OSATO
- RACIALIZING AND RERACIALIZING MISS TURNSTILES
- RACE AND RECEPTION
- SONO OSATO AND POLITICAL ACTIVISM
- 5. DESEGREGATING BROADWAY: On the Town and Race
- NOTICING RACE IN ON THE TOWN
- DESEGREGATING THE PERFORMING ARTS
- CARMEN JONES AND ON THE TOWN
- ON THE TOWN'S VISION OF URBAN AMERICA
- MOBILIZING RACIAL ADVOCACY IN THE ARTS
- 6. BIOGRAPHIES ONSTAGE: On the Town's Black Conductor, Dancers, and Singers
- CONCERTMASTER AND CONDUCTOR OF ON THE TOWN:EVERETT LEE
- DANCER IN ON THE TOWN'S SUBWAY SCENE: ROYCE WALLACE
- SAILOR FROM ON THE TOWN, DUNHAM DANCER, AND VISUAL ARTIST: FRANK NEAL
- JITTERBUGGER FROM ON THE TOWN AND VERSATILE ACTOR: FLASH RILEY
- REPLACEMENT DANCER IN ON THE TOWN AND DISTINGUISHED DIRECTOR: BILLIE ALLEN
- FORESHORTENED CAREERS: LONNY JACKSON, MELVIN HOWARD, AND DOROTHY MCNICHOLS
- MUSICAL STYLE
- 7. CROSSOVER COMPOSITION: The Musical Identities ofOn the Town
- BROOKLYN NAVY YARD: OPENING NUMBERS
- ON THE TOWN'S BALLADS
- GENDER-BENDING COMEDY
- SYMPHONIC IDEALS
- 8. ON THE TOWN AFTER DARK: The Nightclub Scene
- DIAMOND EDDIE'S NIGHTCLUB: ON THE TOWN CELEBRATES ENTERTAINMENT FOR THE MASSES
- CONGACABANA: THE LATIN CRAZE
- SLAM BANG CLUB: AFRICAN AMERICAN SWING
- OPERETTA DISPLACES SWING: "I UNDERSTAND"
- EPILOGUE: Beyond Fancy Free andOn the Town
- APPENDIX: Selected Discography and Videography for The Revuers, Fancy Free, and On the Town
- THE REVUERS
- Audio Recordings
- Video Recordings
- FANCY FREE (BALLET, 1944)
- Audio Recordings
- Video Recordings: Original Production
- ON THE TOWN (MUSICAL, 1944)
- Audio Recordings
- Video Recordings
- NOTES
- ABBREVIATIONS FOR FREQUENTLY CITED SOURCES
- INTRODUCTION
- CHAPTER 1: YOUTHFUL CELEBRITY AND PERSONAL FREEDOM
- CHAPTER 2: FROM NIGHTCLUBS TO BROADWAY
- CHAPTER 4: A JAPANESE AMERICAN STAR DURING WORLD WAR II
- CHAPTER 5: DESEGREGATING BROADWAY
- CHAPTER 6: BIOGRAPHIES ONSTAGE
- CHAPTER 7: CROSSOVER COMPOSITION
- CHAPTER 8: ON THE TOWN AFTER DARK
- EPILOGUE
- SELECTED BIBLIOGRAPHY
- BOOKS AND ARTICLES
- INTERVIEWS CONDUCTED BY THE AUTHOR
- DIGITAL RESOURCES
- INDEX
- PERMISSIONS
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