Film, Form and Phantasy
Adrian Stokes and Film Aesthetics
Published on 5. August 2004
XIV, 252 pages
978-0-230-53577-0 (ISBN)
Description
This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes's Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and 'art' cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others.
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08/2004
Palgrave Macmillan
€106.99
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Person
MICHAEL O'PRAY is Professor of Film at the School of Architecture, Art and Design at the University of East London. His previous books include
Andy Warhol: Film Factory
(editor, 1989),
Inside the Pleasure Dome: The Films of Kenneth Anger
(co-edited with Jayne Pilling,1990),
The British Avant-Garde Film: 1926-1995: An Anthology of Writings
(editor, 1996),
Derek Jarman: Dreams of England
(1996) and
The Avant-Garde Film: Themes, Forms and Passions
(2003).
Content
Introduction PART ONE: REPRESENTATION, EXPRESSION AND PHANTASY Representation, Depiction and Portrayal in Film Expression, Projection and Style in Film Phantasy PART TWO: ADRIAN STOKES - CARVING AND MODELLING Stokes: The Carving and Modelling Modes A Stokesian and Kleinian Interpretation PART THREE: MONTAGE AND REALISM IN FILM The Carving Mode: Rossellini, Antonioni and Dreyer Montage and Modelling Values: Eisenstein Carving Values and John Ford Modelling Values and Alfred Hitchcock Modelling in Light and Dark Conclusion Bibliography Index
