Apocrypha Scripta: A Surrealist Novel
Description
During the writing of his autobiography, Die Bibel (published in 2016 by Steele/Roberts), Michael O'Leary began a parallel fictional autobiography which he conceived as an 'apocrypha' of additional aspects to his intellectual & emotional life, combining myriad intertwingings of previous works to form a synthesis, a kind of Rainbows End of the Mind, as its characters & events ride a rollercoaster of the psyche, a tipi haere helter-skelter on what might be called the Stratosfear or WindstarZ encompassing a spiritual weltanschauung of history & life. It reads not unlike the earliest Dadaist writings & therefore has the sub-title: a Surrealist Novel. Perhaps it's about dislocation in society: perhaps it isn't. Maybe it's about a suburban man becoming unsettled in real life & entering the 'other' world of the imagination: maybe it isn't. Apocrypha Scripta is about identity & belonging. It looks at the Sixties generation of 'peace & love' & anti-materialism which morphed & degenerated into the 'I, me, mine' of the reforms (a much abused and maligned word) of the mid-eighties & nineties which created the 21st Century Schizoid Person, fuelled by technology & greed, love & dreams, war & peace, culminating in the 'stop the world, I wanna get off' motif, as the earth cries from Cloud 9: wiith 2020 Vision & Reality of Covid-19 & the 'Existential Crisis' of realising that we need to not want so much, as well as finally understanding that the word 'Existential' might really have a meaning. Amen.
"O'Leary's wonderful novel spans the global, local, and personal. Intensely beautiful and deeply dark material is consistently tempered with superior mad-cap word-play (in various languages, te reo Maori, German, Irish, Samoan etc), because O'Leary is a poet and a trickster. The writing is constantly deft and energetic, pulling the reader on and on through places, people, and extraordinary scenarios. O'Leary uses many vehicles literally and figuratively; among which are poetry, art, music, dreams, and trains. He keeps this ride careening along the tracks. Time is fluid; we can segue from the Scottish clearances to Covid seamlessly in one sentence. It is an enormously satisfying and mind-blowing novel and requires total commitment from the reader. A culmination of a life's work so far from a fine mind with a five-dimensional view of life." Unity Books, Wellington
Note: This is a parallel fictional biography to the autobiography Die Bibel (Steel Roberts 2016).
More details
Person
Michael O'Leary is a poet, novelist, publisher, performer and bookshop proprietor who has been a magnetic figure for many other contemporary New Zealand writers. He writes in both English and Maori; and his diverse and prolific work in poetry, fiction and non-fiction explores his dual heritage: Maori on his maternal side and Irish Catholic on his father's as well as his mother's. Born in Auckland in the year of the Tiger 1950, he was educated at the universities of Auckland, Otago (Dunedin), and Victoria University (Wellington). His Earl of Seacliff Art Workshop imprint (inspired by Andy Warhol's 'Factory', the Beatles' Apple label, and John and Yoko's 'Plastic Ono Band'), which he founded in 1984, has published some of his own prolific output, as well as many other New Zealand writers. This press has also featured books by writers from other countries, including the first versions of Richard Berengarten's series, Manual, in four mini-books (2005-2009). The 240-page A-Z compilation, 25 Years of the Earl of Seacliff (ed. Mark Pirie, 2009), documents Michael O'Leary's versatile and influential oeuvre. Michael O'Leary is a trustee for the Poetry Archive of New Zealand Aotearoa (PANZA), a charitable trust dedicated to archiving, collecting and promoting New Zealand poetry. He now lives in Paekakariki, north of Wellington.
