
Punk Record Labels and the Struggle for Autonomy
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Using the ideas of French sociologist Pierre Bourdieu, this book shows how the field of record labels operates. The choice of independent or corporate distribution is a major dilemma. Other tensions are about signing contracts with bands, expecting extensive touring, and using professional promotion. There are often rivalries between big and small labels over bands that have become popular and have to decide whether to move to a more commercial record label.
Unlike approaches to punk that consider it as subcultural style, this book breaks new ground by describing punk as a social activity. One of the surprising findings is how many parents actually support their children's participation in the scene. Rather than attempting to define punk as resistance or as commercial culture, this book shows the dilemmas that actual punks struggle with as they attempt to live up to what the scene means for them.
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Content
Chapter 2 Epigraph
Chapter 3 Introduction
Chapter 4 1 The Struggle for Autonomy
Chapter 5 2 Commercial and DIY Labels
Chapter 6 3 The Problem of Distribution
Chapter 7 4 Punk Labels and Social Class
Chapter 8 5 The Dynamics of Record Labels
Chapter 9 Conclusion: What about the Music?
Chapter 10 Appendix A: Interview with Lengua Armada
Chapter 11 Appendix B: Record Labels Interviewed and Statistical Data
Chapter 12 Bibliography
Chapter 13 Index
Chapter 14 About the Author
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