
The Bonfire Party
Description
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The Bonfire Party, Forward Prize winner Sean O'Brien's twelfth poetry collection, takes its title from Eric Ravilious's 1930s painting, where some revellers watch the flames, while others feed them or run towards them, in a scene of 'mythic Englishness'. In these poems, the long view afforded by experience results in a truer representation of our predicament and a regretful understanding of human culpability.
Just as times and places flow together to create a shifting, at times visionary perspective, so too do the presences of those we have lost, 'love and death consorting as they must'. In a central sequence - a departure for O'Brien - he writes into the rich imaginative climate of George Simenon's Maigret novels. These poems, both 'homage and transposition', effect a poetic communion of sorts with the physical world and moral atmospheres encountered by the inscrutable detective and his creator.
The working of the imagination itself has become O'Brien's true subject, where the fact of the world and the imagined order of literature and art begin to merge.
Reviews / Votes
The supreme poet of urban spaces and the north ... Erudite, attuned to the beyond and the everyday, O'Brien's work repays many re-readings. -- Suzy Feay * The Telegraph * [The Bonfire Party] reinforces O'Brien's authority as a chronicler of our times, 'love and death consorting as they must'. -- Jennifer Lee Tsai * The Guardian * The greatest pleasure, whatever he chooses to write about, is O'Brien's unforced gift, the ease of the writing, the phrases that seem to roll off his pen -- Kate Kellaway on <i>It Says Here</i> * Observer *More details
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