
Notes to Screenwriters
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Content
- Intro
- Title
- Copyright
- Contents
- Dedication
- Acknowledgments
- How to Use This Book
- Foreword by David McFadzean
- Introduction: The Book That Notes Built
- Section I: Broad Notes
- Chapter 1: Notes on Taking Notes
- Chapter 2: Notes on the Storyteller
- a. Are You Good Enough?
- b. Can You "Go There"?
- c. Respecting Your Voice
- d. Your Passion Project
- e. The Essential Skills of Storytelling and Screenwriting
- f. Finding Your Voice: An Exercise
- Chapter 3: Notes on Story
- a. A Story Is Better Than the Real
- b. Story Has a Nature
- c. Movie Stories Have a Special Nature
- d. A Story Has to Matter
- e. "High Stakes" Mean Death
- f. Meeting the Audience's Needs
- g. The Catharsis of Compassion and the Fear of Evil
- h. Things Story is NOT
- i. Exercises for Crafting Your Story
- Chapter 4: Arena Notes: A World to Explore
- a. Arena Exercises
- Chapter 5: Notes on Character: The Lovable Paradox
- a. Qualities of a Relatable Character (Adapted from Aristotle's Poetics)
- b. Character Versus Characterization
- c. What Do They Want? What Do They Need?
- d. Backstory: How Did They Get Here?
- e. Finding the Haunting Paradox
- f. Character Exercises
- Chapter 6: Notes on Dialogue: Better Than Real Speech
- a. Dialogue Is Designed to Be Heard
- b. Dialogue Is Designed for Actors to Play
- c. Dialogue Has a Momentum
- d. Dialogue as a Voice of Authority
- e. Dialogue Utilizes Metaphors
- f. Dialogue Utilizes Subtext
- g. Dialogue Exists to Process Conflict
- h. Dialogue-Writing Tips and Exercises
- Chapter 7: Notes on Theme: The Good, The Great, and The Ugly
- a. Theme Is a Thesis
- b. Exercises to Strengthen Your Theme
- Chapter 8: Notes on Tone and Genre: Getting on the Same Page
- a. Genre Is What We Feel
- b. Tone Is the Rhythm of Your Story
- c. Tone and Genre Exercises
- Chapter 9: Spectacle as the Servant of All
- a. Spectacle Exercise
- Chapter 10: Structure Notes: How You Reveal the Plot
- a. Act One: The Beginning
- b. Act Two: The Middle
- c. Act Three: The End
- d. The Beauty of the Beat
- e. Scene Structure: The Building Blocks of Your Story
- f. Structure Exercises
- Chapter 11: Cinematic Notes: Does It Have To Be A Movie?
- a. A Movie Is a Harmony of Elements
- b. Moving Through Time and Place: Transitions
- c. Layering In the Meaning
- d. Death by Visual Cliché
- e. Cinematic Exercises
- Chapter 12: Section Summary: The Biggest Mistakes New Screenwriters Make
- Section II: Line Notes: Screenplay Style and Grammar
- Chapter 13: Formatting Matters
- Chapter 14: Rules of Screenplay Style
- Chapter 15: Some Additional Formatting Do's and Don'ts
- Chapter 16: Section Summary: Formatting Red Flags That Will Stop Your Screenplay
- Section III: The Working Screenwriter
- Chapter 17: So Now What?
- Chapter 18: Rewriting
- Chapter 19: Story Currency: Loglines, Synopses, Proposals, Beat Sheets, and Treatments
- a. A Penny of Your Thoughts: Loglines
- b. Putting Your Two Cents In: A Story Synopsis
- c. About a Fiver: Story Proposals
- d. About the Cost of Dinner and a Movie: The Beat Sheet
- e. Talking Real Money: The Treatment
- Chapter 20: The Writer's Real Life
- Chapter 21: Working With A Writing Partner
- Chapter 22: Working With Producers
- a. How Does a Writer Meet Producers?
- b. How to Know If a Producer Is a Good Fit for You
- c. Parameters of a Working Relationship
- Chapter 23: Studio Vs. Indie: Where Does Your Project Fit?
- Chapter 24: Networking
- Chapter 25: Success
- Chapter 26: Faqs About the Business
- Chapter 27: Section Summary: Rules for Professional Screenwriters
- Appendix A: The 100 Most Influential Movies Ever Made
- Appendix B: Correctly Formatted Title Page
- Appendix C: Correctly Formatted First Page
- Appendix D: Correctly Formatted Interior Page
- Bibliography
- About the Authors
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