
LES CONTEMPLATIONS of Victor Hugo
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The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works.
The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Léopoldine as sacrificial muse and figure for poetic language, is traced through the six books. The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory.
Originally published in 1977.
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Content
Preface, pg. vii
Contents, pg. xi
Introduction, pg. 1
I. The Allegorical Nature and Context of Hugo's Work, pg. 13
II. The Structure of Hugo's Allegory, pg. 34
III. Leopoldine-Mediating Angel, pg. 52
IV. Aurore, pg. 79
V. L'Ame en fleur, pg. 108
VI. Les Luttes et les reves, pg. 124
VII. Pauca meae, pg. 136
VIII. En marche, pg. 150
IX. Au bord de I'infini, pg. 171
X. A celle qui est restee en France, pg. 194
Conclusion, pg. 205
A Selected Bibliography, pg. 209
Index, pg. 223
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