
Method Acting Reconsidered
Description
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Content
- Cover
- Title
- Copyright
- Half-Title
- Contents
- Acknowledgements
- Abbeviations
- Introduction
- 1 I Hate Strasberg Method Bashing in the Academy
- I. Theory
- 2.Salvaging Strasberg at the Fin de Siecle
- 3. The Reality of Doing: Real Speech Acts in the Theatre
- 4. Acting and Answerability
- 5. Just Be Yourself: Derrida, Difference, and the Meisner Technique
- 6. Reconciling the Past and the Present: Feminist Perspectives on the Method in the Classroom and on the Stage
- II. Practice
- 7. Mining My Own Business: Paths between Text and Self
- 8. Standards and Practices
- 9. Redefining Acting: The Implications of the Meisner Method
- 10. Significant Action: A UnifYing Approach to the Art of Acting
- 11. Burdens of Representation: The Method and the Audience
- 12. Practicing the Paradox: Addressing the Creative State
- 13. The Heart as Center: Entering the Body and the Creative State
- III. Future
- 14. The Method and the Computational Theory of the Mind
- 15. Random Acts: The Method and Nonrealistic Theatre
- 16. Emotion Training and the Mind/Body Connection: Alba Emoting and the Method
- 17. Method(ical) Hybridity: Stanislavsky Meets Suzuki: An Interview with Steve Pearson and Robyn Hunt
- 18. The Paradox of the Method Actor: Rethinking the Stanislavsky Legacy
- IV. Method Schools
- 19. The Actors Studio
- 20. The Neighborhood Playhouse
- 21. The Stella Adler Conservatory
- Contributors
- Index
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The file format PDF always displays a book page identically on any hardware. This makes PDF suitable for complex layouts such as those used in textbooks and reference books (images, tables, columns, footnotes). Unfortunately, on the small screens of e-readers or smartphones, PDFs are rather annoying, requiring too much scrolling.
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