
The Medieval Tournament as Spectacle
Description
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Persons
JAMES TITTERTON received his PhD in Medieval Studies from the University of Leeds. In addition to his work on the history of warfare, he has published on crusader rhetoric, chivalry and the medieval tournament.Moffat Ralph:
RALPH MOFFAT is the Curator of European Arms and Armour at Glasgow Museums. He is responsible for the care of, research, and dissemination of information on the people of this City's collection.Brown-Grant Rosalind:
Rosalind Brown-Grant is Professor of Late Medieval French Literature at the University of Leeds.
Content
Introduction: From Mass Combat to Field of Cloth of Gold - Alan V Murray
Now Form Up Close Together! Tactics and Ethos of the Tourney in Early German Sources (Twelfth to Thirteenth Centuries) - Alan V Murray
Por pris et por enor: Ideas of Honour as Reflected in the Medieval Tournament - James Titterton
Richard II of England and the Smithfield Tournament of October 1390: An Instrument to Establish Royal Authority - James Beswick
Alle myn harneys for the justes: Documents as a Source for Medieval Jousting Armour - Ralph Moffat
The Tournament Saddle - Marina V. Viallon
Between Sport and Theatre: How Spectacular was the Pas d'armes? - Cathy Blunk
Art Imitating Life Imitating Art? Representations of the Pas d'armes in Burgundian Prose Romance: The Case of Jehan d'Avennes - Rosalind Brown-Grant
The Foot Combat as Tournament Event: Equipment, Space and Forms - Iason-Eleftherios Tzouriadis
Power and Pageantry: The Tournament at the Court of Maximilian I - Natalie Anderson
The Field of Cloth of Gold: Arms, Armour and the Sporting Prowess of King Henry VIII and King Francis I - Karen Watts
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