
Left of the Color Line
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Tracing the development of the Left over the course of the last century, the essays connect the Old Left of the pre–World War II era to the New Left and Third World nationalist Left of the 1960s and 1970s, as well as to the multicultural Left that has emerged since the 1970s. Individual essays explore the Left in relation to the work of such key figures as Ralph Ellison, T. S. Eliot, Chester Himes, Harry Belafonte, Américo Paredes, and Alice Childress. The collection also reconsiders the role of the Left in such critical cultural and historical moments as the Harlem Renaissance, the Cold War, and the Black Arts Movement of the 1960s and 1970s.
The contributors are Anthony Dawahare, Barbara Foley, Marcial González, Fred Ho, William J. Maxwell, Bill V. Mullen, Cary Nelson, B. V. Olguín, Rachel Rubin, Eric Schocket, James Smethurst, Michelle Stephens, Alan Wald, and Mary Helen Washington.
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