
Visual Interrogations of Femininities in the Malay World
Camera, Chimera and Colonisation
Routledge (Publisher)
1st Edition
Published on 27. May 2026
210 pages
978-1-040-84387-1 (ISBN)
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Description
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This book curates and examines colonial-era photographs from the late nineteenth to early twentieth centuries sourced from photo-archives of former British and Dutch colonies in Southeast Asia, uncovering how femininities in the Malay world are represented through visual imagery and their role in shaping colonial social relations.
Through seven thematic chapters ranging from colonial exhibitions to women's work, fashion, postcard representation and girls' schooling, the book demonstrates how photographs contain dialogic potential to question colonial power structures. Using visual ethnography and decolonial analysis, it reveals how the intersections of camera, chimera and colonisation subtly divided people along lines of race, class and gender. Although many subjects remain nameless, their images reveal layered narratives of colonial social formations and evolving national histories.
This book is perfect for those studying visual ethnography, decolonial methodologies and the intersection of photography and colonialism in the Malay world, as well as scholars, postgraduate students and researchers in postcolonial studies, Southeast Asian studies, visual culture, gender studies and colonial history.
Through seven thematic chapters ranging from colonial exhibitions to women's work, fashion, postcard representation and girls' schooling, the book demonstrates how photographs contain dialogic potential to question colonial power structures. Using visual ethnography and decolonial analysis, it reveals how the intersections of camera, chimera and colonisation subtly divided people along lines of race, class and gender. Although many subjects remain nameless, their images reveal layered narratives of colonial social formations and evolving national histories.
This book is perfect for those studying visual ethnography, decolonial methodologies and the intersection of photography and colonialism in the Malay world, as well as scholars, postgraduate students and researchers in postcolonial studies, Southeast Asian studies, visual culture, gender studies and colonial history.
More details
Series
Edition
1. Auflage
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Product notice
Reflowable
Illustrations
1 Tables, black and white; 70 Halftones, black and white; 70 Illustrations, black and white
File size
48,06 MB
ISBN-13
978-1-040-84387-1 (9781040843871)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Maznah Mohamad | Bahar Guersel | Suriani Suratman
Visual Interrogations of Femininities in the Malay World
Camera, Chimera and Colonisation
Book
05/2026
1st Edition
Amsterdam University Press
€188.50
Shipment within 15-20 days
Persons
Maznah Mohamad
is currently Honorary Fellow and formerly served as Associate Professor and Head with the Department of Malay Studies at the National University of Singapore. She has taught, researched and published extensively on the themes of gender, Islam, politics, sexuality and Malay manuscript traditions.
Bahar Guersel
is Associate Professor in the Department of History at Middle East Technical University (Ankara, Tuerkiye). Her areas of interest include social and cultural history of the United States and Europe, nineteenth-century children's literature, ephemera studies, visual culture and the representation of the East in the West.
Suriani Suratman
is Senior Lecturer with the Department of Malay Studies at the National University of Singapore. Her areas of research are ethnic identities, (re)productions of portrayals of Malays and Malay femininities, gender relations and inequalities in Malay families and households.
is currently Honorary Fellow and formerly served as Associate Professor and Head with the Department of Malay Studies at the National University of Singapore. She has taught, researched and published extensively on the themes of gender, Islam, politics, sexuality and Malay manuscript traditions.
Bahar Guersel
is Associate Professor in the Department of History at Middle East Technical University (Ankara, Tuerkiye). Her areas of interest include social and cultural history of the United States and Europe, nineteenth-century children's literature, ephemera studies, visual culture and the representation of the East in the West.
Suriani Suratman
is Senior Lecturer with the Department of Malay Studies at the National University of Singapore. Her areas of research are ethnic identities, (re)productions of portrayals of Malays and Malay femininities, gender relations and inequalities in Malay families and households.
Content
List of figures and table vii
Preface and acknowledgement x
List of abbreviations xii
Glossary of Malay terms used in the text xiii
1 Introduction: The photo-archive and femininities in the Malay world 1
MAZNAH MOHAMAD, BAHAR GUERSEL, AND SURIANI SURATMAN
2 Re-curating and de-archiving many femininities through a virtual exhibition on Being and Becoming 23
MAZNAH MOHAMAD
3 Disrupting an imagined everyday life: Women's work and place 52
SURIANI SURATMAN
4 Pursuing the woman in the white dress: Photography and (im)posed female images in late nineteenth- and early twentieth-century Malay world 77
BAHAR GUERSEL
5 Constructing femininities and race through the postcard: What and who is the "Malay" woman? 101
MAZNAH MOHAMAD
6 From needlework to needling: Picturing and puncturing the schooling of girls in colonial Malaya and Singapore 137
MAZNAH MOHAMAD
7 Conclusion: Epilogue to other femininities and summary of themes 170
MAZNAH MOHAMAD, BAHAR GUERSEL, AND SURIANI SURATMAN
Index 185
BK-
Preface and acknowledgement x
List of abbreviations xii
Glossary of Malay terms used in the text xiii
1 Introduction: The photo-archive and femininities in the Malay world 1
MAZNAH MOHAMAD, BAHAR GUERSEL, AND SURIANI SURATMAN
2 Re-curating and de-archiving many femininities through a virtual exhibition on Being and Becoming 23
MAZNAH MOHAMAD
3 Disrupting an imagined everyday life: Women's work and place 52
SURIANI SURATMAN
4 Pursuing the woman in the white dress: Photography and (im)posed female images in late nineteenth- and early twentieth-century Malay world 77
BAHAR GUERSEL
5 Constructing femininities and race through the postcard: What and who is the "Malay" woman? 101
MAZNAH MOHAMAD
6 From needlework to needling: Picturing and puncturing the schooling of girls in colonial Malaya and Singapore 137
MAZNAH MOHAMAD
7 Conclusion: Epilogue to other femininities and summary of themes 170
MAZNAH MOHAMAD, BAHAR GUERSEL, AND SURIANI SURATMAN
Index 185
BK-
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