
Performing Processes
Description
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Content
- Front Cover
- Preliminaries
- Contents
- Introduction
- 1 Desperate Acts: The Role of the Audience in the Process of Playwriting
- Introduction
- The Act of Writing
- Constraining Factors
- Alternative Routes
- 2 Poetry and Performance
- 3 Minor Asides of Performance in Some Works of Iain Baxter and the N.E. Thing Company: Beginnings to 1970
- 4 Collaborative Practice and the Phenomenal Dancer: Yolande Snaith's Theatredance
- Locating Theatredance
- Recent Work: Research and Development
- Yolande Snaith in Conversation
- Conclusion: Phenomenal Dancers and Collaboration
- 5 Re-Cognizing Corporeality
- Introduction
- Re-cognizing Corporeal Being
- Some Comparative Approaches
- "Metakinetic Transfer"
- Conclusion
- 6 Conventionalization: the Soul of Jingju
- 7 "Your Mother is Up Here Working!": Bette Midler, the Continental Baths, and the Mainstreaming of Gay Male Sensibility
- 8 The Moebius Strip: Act and Imitation in English Pantomime Performance
- Virtual Reality
- Audience Ownership/Audience Control
- 9 Reception of the Image
- Hermeneutics and the Intentional Fallacy
- Translation of Emotional Response into Language
- Open or Closed Design
- Designers on Designing Shakespeare
- Designers on Critics' Perception/Reception
- 10 Theatre of Witness: Passage into a New Millennium
- About Playwriting
- Tremors in the Earth
- The Assigning of 'Otherness'
- Witness through Theatre
- Snakeskin
- The Beekeeper's Daughter
- The Witnessing Imagination
- Altruism and Mutuality
- The Socializing Dynamics of Theatre
- The Crises of Witnessing
- The Break with Tragedy
- The Millennial Moment
- Contributor Biographies
- Back Cover
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