
Critical Reflections on Audience and Narrativity
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"The new perspectives offered by this volume are of great interest for any European and International scholar mainly because the volume brings to light new ideas, new methodologies and results that could be further developed. Furthermore it is outstanding that the contributors to this book come from different countries (UK, Germany, Turkey, Bulgaria, Romania) and somehow reach a common language in their studies."-Michael Higgins, University of Strathclyde, UKMore details
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Content
- Intro
- Does the cultural capital compensate for the cultural discount? Why do German students prefer US-American TV series?
- Awake, or the multiplication of the realities Contemporary Television Series: Narrative Structures and Audience Perception
- "Three hundred channels and nothing's on": Metaleptic Genre-Mixing in Supernatural
- Appreciating Nietzsche in Episodic Drama: The Highbrow Intertextuality and Middlebrow Reception of Criminal Minds
- The Seed of an Idea and its Cognitive Field: Minding the Gap of Alternate Reality in Flash Forward and Fringe
- Breaking Narrative: Narrative Complexity in Contemporary Television
- The Walking Dead and the Truly Monstrous... on Television
- Television Cosmo-Mythologies: The Return to Mythological Naratives in Television Fiction, from The Prisoner to Lost
- Breaking Bad, a Character-Based Formula
- Representing Occupations in Media and Audience Perceptions of TV Series
- Homeland: War on Terror Revisited
- Understanding Health in Grey's Anatomy Television Series
- Fiction Television in Brazil: New Perspectives
- Unbenannt
- The X-Factor of Singing Competitions TV Series
- TV Drama as a Narrative form: Scenes from a Gendered and a Sacralized Cultural Sphere in Turkish Society
- The hero's journey
- About the contributors
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