
Image Science
Description
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Continuing with this influential line of thought, Image Sciencegathers Mitchell's most recent essays on media aesthetics, visual culture, and artistic symbolism. The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings. The book looks both backward at the emergence of iconology as a field and forward toward what might be possible if image science can indeed approach pictures the same way that empirical sciences approach natural phenomena.
Essential for those involved with any aspect of visual media, Image Scienceis a brilliant call for a method of studying images that overcomes the "two-culture split" between the natural and human sciences.
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Content
- Intro
- Contents
- List of Illustrations
- Preface: Figures and Grounds
- Acknowledgments
- Part One: Figures
- 1. Art History on the Edge: Iconology, Media, and Visual Culture
- 2. Four Fundamental Concepts of Image Science
- 3. Image Science
- 4. Image X Text
- 5. Realism and the Digital Image
- 6. Migrating Images: Totemism, Fetishism, Idolatry
- 7. The Future of the Image: Rancière's Road Not Taken
- 8. World Pictures: Globalization and Visual Culture
- Part Two: Grounds
- 9. Media Aesthetics
- 10. There Are No Visual Media
- 11. Back to the Drawing Board: Architecture, Sculpture, and the Digital Image
- 12. Foundational Sites and Occupied Spaces
- 13. Border Wars: Translation and Convergence in Politics and Media
- 14. Art X Environment
- 15. The Historical Uncanny: Phantoms, Doubles, and Repetition in the War on Terror
- 16. The Spectacle Today: A Response to Retort
- Coda: For a Sweet Science of Images
- Index
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