
Deep Refrains
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Content
- Intro
- Contents
- Musical Examples
- Figures
- Introduction
- Prelude - A Paradox of the Ineffable
- 0.1 - Schopenhauer's Deep Copy
- 0.2 - The Platonic Solutions
- 0.3 - Four Dialectical Responses (after Nietzsche)
- 1 - Bloch's Tone
- 1.1 - The Tone
- 1.2 - The Natural Klang
- 1.3 - The Expressive Tone
- 1.4 - Bloch's Magic Rattle
- 1.5 - The Tone's Ineffable Utopia
- 1.6 - The Event-Forms
- 1.7 - A Dialectical Account of Music History
- 1.8 - Utopian Musical Speech
- 2 - Adorno's Musical Fracture
- 2.1 - Adorno's Tone
- 2.2 - Adorno's Conception of History
- 2.3 - Tendenz des Materials
- 2.4 - Music's Language-Like Ineffability
- 2.5 - The Immanent Critique
- 2.6 - The Paradox of Mahler's Vernacular
- 2.7 - The Curve of Inconsistency
- Interlude - Wittgenstein's Silence
- 3 - Jankélévitch's Inconsistency
- 3.1 Bergson and the Inconsistency of Time
- 3.2 The Aporetic Source of Fidelity
- 3.3 Charme
- 3.4 Cosmic Silence
- 3.5 Unwoven Dialectics
- 4 - Deleuze and Guattari's Rhythm
- 4.1 - Deleuze's Rhythm
- 4.2 - The Rhythm of Sense
- 4.3 - A Structuralist Quadrivium
- 4.4 - The Rhythm of Life
- 4.5 - Sonorous Coextensions
- Conclusion: A Paradox of the Vernacular
- Acknowledgments
- Notes
- Select Bibliography
- Index
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